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清蔣木?鼎松竹梅 軸

清蔣木?鼎松竹梅 軸

known is Chiang Ting’s grandfather, Chiang T’ing-hsi, and father, Chiang P’u. Pine, bamboo.....more

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明惲向仿巨然山水 軸

明惲向仿巨然山水 軸

ün Hsiang was styled Pen-ch’u; his sobriquet was Hsiang-shan Weng. During the Ch’ung-chen reign.....more

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清吳昌碩山水 軸

清吳昌碩山水 軸

names Ts’ang-shih; sobriquets Fou-lu, K’u-t’ieh, P’0-he, Lao-fou, and Ta-lung) was a native of An-chi.....more

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明汪肇淵明愛菊圖 軸

明汪肇淵明愛菊圖 軸

(fl. ca. 15th-16th c.) Ming Dynasty Wang Chao (style names Te-ch’u and K’o-chung), a native of Hsiu.....more

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宋人十八學士圖 軸

宋人十八學士圖 軸

commissioned Yen Li-pen (d. 673) to paint the eighteen talented scholars he had engaged. Ch'u Liang wrote.....more

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宋人十八學士圖 軸

宋人十八學士圖 軸

Ch'u Liang wrote a eulogy for the original version of The Eighteen Scholars and a colophon noting.....more

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元郭畀寫高使君意 軸

元郭畀寫高使君意 軸

ün-shan) was from Tan-t'u, Kiangsu. He served as a provincial-level official in Kiangsu.....more

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明宋旭歲朝報喜圖 軸

明宋旭歲朝報喜圖 軸

was a native of Chia-hsing in Chekiang. His style name was Ch’u-yang and his sobriquet was Shih-men. When.....more

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明吳彬文杏雙禽圖 軸

明吳彬文杏雙禽圖 軸

Wu Pin (fl. late 16th century) Ming Dynasty Wu Pin was a native of P’u-ti’en but later moved.....more

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明戴進畫紈牛 軸

明戴進畫紈牛 軸

country of P’u-lu during the Chou dynasty. The herdsman’s curly hair and beard, his prominent forehead.....more

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明宋旭雲巒秋瀑圖 軸

明宋旭雲巒秋瀑圖 軸

(Chekiang province), his style name was Ch’u-yang and his sobriquet Shih-men. In his later years he became.....more

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唐吳道子寶積賓伽羅佛像 軸

唐吳道子寶積賓伽羅佛像 軸

淺染法,時稱「吳裝」。開後世人物畫典則,被尊稱「百代畫聖」。此像即世所謂北方天王,為盛唐以後最受尊奉之佛像之一。&*Wu Tao-tzu came from Yang-ch'u. He.....more

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明郭純人物 軸

明郭純人物 軸

半葉)風格,工力不弱。屋宇偶有誤筆,蓋不工界畫。 &* Kuo Ch’un (style name Wen-t’ung and sobriquet P’u-an) was a native.....more

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明張瑞圖書後赤壁賦 冊

明張瑞圖書後赤壁賦 冊

四大書家。 張氏用筆多方硬側鋒,筆畫拙重,筆勢多呈橫勢。其字體結構嚴密,排列成狹窄的縱行,行間空白很寬,頗具鮮明個人特色。此卷筆力勁健,轉折尖銳,堪稱新穎奇特。&*Chang Jui-t'u.....more

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明商喜戲貓圖 軸

明商喜戲貓圖 軸

of P’u-yang, Hopei province. His style name was Wei-chi. During the Hsüan-te period (1426-1436.....more

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