民國譚澤闓行書七言聯 軸
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- 資料識別：
- 贈書000438N000000000
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 譚澤闓
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 203.3x44.6公分、全幅 51.3公分
- 語言：
- 漢文
- 關聯：
- 何應欽將軍遺贈書畫展圖錄，頁60、109&*民國初期，「顏體」書法的傳緒不乏其人，書家融入個人對顏書的詮釋，進一步豐富傳統書法表現的內涵，譚澤闓（一八八九－一九四七）適為其中之一。譚氏字祖同，號瓶齋，湖南茶陵人。早年即沈潛詩文書法，無意仕進，以砥礪學行為個人努力的目標。由於勤習顏體書法多年，譚氏練就渾厚的筆力之外，復能掌握結字方圓的變化，寫來剛柔相濟恰到好處。本幅為何應欽將軍捐贈。(20110103)&* In the early Republican era were many calligraphers following the “Yan Style,” referring to Yan Zhenqing. Adding interpretations of Yan’s style into their own, they gave further substance and richness to traditional calligraphy. Tan Zekai was such a person. A native of Chaling in Hunan, in his early years he delved into poetry and calligraphy, choosing not to pursue a career in office and instead striving to become a devoted and upright scholar. Because Tan assiduously studied the Yan Style for many years, he was not only able to practice natural and powerful brushwork, he could also grasp the variations of angled and rounded strokes, striking a perfect balance between hard and soft. This work was donated to the Museum by General Ho Ying-chin.(20110103)
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
