宋人法書（四） 冊 蔣璨書詩帖
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- 資料識別：
- 故書000246N000000002
- 資料類型：
- 類型:書法
- 型式:文字
- 著作者：
- 蔣璨
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 宋高宗紹興十四年（1144）
- 格式：
- 本幅 29.6x69.3 公分、全幅 42.5x76.8 公分
- 語言：
- 漢文
- 關聯：
- 石渠寶笈續編（乾清宮），第一冊，頁445-473 &*故宮書畫錄（卷三），第一冊，頁178-214 &*故宮歷代法書全集，第十三冊，頁64-75、181-190&*蔣璨（1085－1159）字宣卿，江蘇宜興人。父親早逝，由伯父蔣之奇撫養成年。蔣之奇與蘇軾為知交，連帶影響蔣璨的取向，自號景坡，詩文和書法均追隨東坡的旨趣。蔣璨的宦途未見順遂，紹興十四年知鎮江府時，遭人彈劾，八月即罷官歸里。返鄉後舊地重遊，因見兵火後沖寂觀景物蕭索，昔日先人題壁佚失、殘破，心中無限感慨唯有託於詩文。〈詩帖〉之作適在同年季秋，其落寞心情可以想見。(20101015)&* Jiang Can (style name Xuanqing) was a native of Yixing, Jiangsu. Jiang, whose father died in his childhood, was raised to adulthood by an uncle, Jiang Zhiqi. The literary great Su Shi (sobriquet Dongpo) was a close friend of Jiang Zhiqi, a relationship that also influenced Jiang Can, as seen in his sobriquet (Jingpo). In both poetry and calligraphy, Jiang Can followed Su Shi’s ideals. Jiang Can’s career in office was not very smooth. In 1144, while Administrator of Zhenjiang Prefecture, he was impeached and in August of that year relieved of office and sent home. After returning to his hometown, he revisited places of old and witnessed the bleak and desolate scenery at the Chongji Abbey after the war. With even the ancient cliff inscriptions lost or in ruins, the sadness struck him so much that he put it down into poetry. This work was done in the autumn of that year, the lonely and deserted feeling still evident.(20101015)&*1.王競雄，〈書詩帖〉，收入何傳馨主編，《文藝紹興：南宋藝術與文化•書畫卷》（臺北：國立故宮博物院，2010年十月初版一刷），頁377-378。
- 管理權：
- 國立故宮博物院
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http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
