清徐呈祥星額駿圖 軸
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- 資料識別：
- 故畫003101N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 徐呈祥
- 主題與關鍵字：
- 馬
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 162.8x94.1公分、全幅 124公分
- 關聯：
- 故宮書畫錄（卷八），第四冊，頁132 &*故宮書畫圖錄，第十四冊，頁211-212&* 徐呈祥，道光（西元一八二一至一八五０年）年間畫家，生平待考。 本幅描繪大臣進貢之駿馬，畫馬光影分明，中西畫法並具，為早清郎世寧之遺風。清廷每將邊疆所進駿馬，命畫師繪其形象，並標以漢、滿、蒙三種文字。清代宮廷繪畫盛於康乾之際，嘉道以後即趨沒落，創作水準亦不復如盛時。 &*The Steed with a Star Mark on the Forehead Hsü Ch’eng-hsiang (fl. 1821-1850) Ch’ing Dynasty The life of Hsü Ch’eng-hsiang, a 19th-century court painter, is not well known. Hsü Ch’eng-hsiang’s portraiture shows the special chiaroscuro technique, a combination of Chinese and western traditions originally adopted by Giuseppe Castiglione in the early Ch’ing dynasty. The horse portrayed here was one presented by Chi-ling-o, the Head Guard of the Ch’ien-ch’ing Palace, in 1823. It was a court practice that tributary horses presented from borderlands were portrayed for imperial inspection. Three languages: Chinese, Manchu, and Mongolian, were employed to record the vital data of horses thus portrayed. Court painting flourished in early Ch’ing dynasty, especially, from the K’ang-hsi to the Ch’ien-lung reign (1662-1795). Then it declined during the Chia-ch’ing and the Tao-kuang periods (1796-1849). From then never regained the spirit and quality of the earlier Ch’ing years. &*1.林柏亭、張華芝，〈清徐呈祥畫星額駿〉，收入林柏亭、張華芝編，《畫馬名品特展圖錄》（臺北：國立故宮博物院，1990年元月初版），頁107。
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
