名賢妙蹟 冊 元倪瓚野石修篁
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫001255N000000008
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 倪瓚
- 主題與關鍵字：
- 奇石 竹
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 25.8x28.7公分、對幅 25.8x28.7公分、全幅 56.1x70.9 公分
- 關聯：
- 石渠寶笈續編（養心殿），第二冊，頁1105&*故宮書畫錄（卷六），第四冊，頁243&*倪瓚（西元一三0一至一三七四年），字元鎮，號雲林，又署雲林子，或雲林散人。江蘇無鍚人。嘗築清閟閣，以藏其所收之古書畫。生平好學，工詞翰，善書畫。山水先以董源為師，後法荊關，好寫汀渚遙岑，小山竹樹等平遠景。晚年喜畫竹，以寫胸中逸氣。 本幅畫新篁數竿，一石獨立。竹葉繁疏濃淡有致，由其畫竹枝葉筆力，可見其書法精湛。石頭紋理變化，全以皴擦苔點構築，凹凸分明。此畫構圖精簡，意趣天成。&*Ni Tsan was a native of Wu-hsi Kiangsu. His family was wealthy and possessed a fine collection of paintings and calligraphy. He was a scholar by nature, a skilled poet, calligrapher and painter. His landscapes were modeled after Tung Yüan, Ching Hao and Kuan T'ung. Ni Tsan excelled as a painter of river landscapes. Late in life he was fond of painting bamboo that was expressive of his personal feelings. Several stalks of new bamboo grow by a single rock, their leaves designed with rhythmic clarity. Ni Tsan's bamboo reveals the extent of his brush-strength, and thus suggests his skill in calligraphy. The rock is formed with rubbed texture strokes and dots that skillfully describe its three-dimensionality. The painting's composition is pure and sparse, and the concept marvelously spontaneous and unforced.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
