石渠寶笈初編(御書房),下冊,頁1157-1158&*故宮書畫錄(卷八),第四冊,頁94&*故宮書畫圖錄,第十冊,頁139-140&* 王翬(西元一六三二-一七一七年),常熟人。字石谷。山水得王時敏指授,為清四大家之一。 康熙乙亥(一六九五)六十四歲在京師作。土岡迴曲,林木秀出於其上,下臨清溪,幽簧叢蔚處有小屋數間。一翁攜杖度橋而至,背山上作平頂,飛瀑自山巔曲折而下。羅紋紙甚適墨,為宋穉佳作。穉佳名致,乃清初收藏家宋犖之第五子。院藏王翬「層巒曉色」卷上亦有宋致諸印。 &* Wang Hui (style name Shih-ku) was a native of Ch’ang-shu. He received instruction in landscape painting from Wang Shih-min (1592-1680) and is known as one of the Four Great Masters of the Ch’ing. This painting was done in 1695, when Wang Hui was 63-years-old and still in the capital at Peking. Trees gather on winding banks and streams wander at their feet. A few small buildings hide behind bamboo thickets, and an old man with a staff crosses a bridge on his way there. The painting was done on a type of paper called lo-wen, which takes the ink particularly well. This work was once in the collection of Sung Chih (b. 1671), the fifth son of the eminent official and collector Sung Luo. The Museum’s Dawn over a Mountain Range by Wang Hui also was once in Sung Chih’s collection.