石渠寶笈初編(重華宮),下冊,頁733&*故宮書畫錄(卷六),第四冊,頁189&*1.邱士華,〈傳元黃公望磻溪漁隱〉,收入何傳馨主編,《山水合璧:黃公望與富春山居圖特展》(臺北:國立故宮博物院,2011年五月初版一刷),頁363。&*此畫題作「磻溪漁隱」,磻溪位於陝西省寶雞縣,傳說為姜太公釣魚處。本幅前景畫坡岸疏樹數株,隔江數峰聳峙,水面兩艘小舟並立。構圖與目前於210展廳展出之沈周〈畫山水〉小軸大致相似,唯省略細節,並以米點重新描繪山體,然用筆較鬆弱,點畫排列過於規整,因此雖具沈周原作之簡淡,惜缺其筆墨之真率精神。此畫題識、款印俱偽,應為明晚期以沈周畫作為本的偽作。(20110609)&*This painting is entitled “Fishing in Reclusion at Pan Stream,” which is located in Baoji County, Shanxi Province. Legend has it to be the place where Jiang Taigong fished. The foreground of this work features a bank with scattered trees. Separated by a river, a few peaks appear in the background, the water’s surface suggested by the two skiffs. The composition is similar to Shen Zhou’s “Landscape,” also on display here, only more simplified in places and with Mi dots added to the mountain forms. Furthermore, the brushwork is weaker and the dots arranged in a patterned manner. Thus, even though it has the simple lightness of Shen Zhou’s original, the brushwork unfortunately lacks Shen’s straightforward spirit. The inscription and seal on this work are spurious, making it likely a Huang Gongwang fabrication based on the painting of Shen Zhou.(20110609)