故宮書畫錄(卷六),第四冊,頁100-101&*故宮書畫圖錄,第二十三冊,頁42-47&*丁雲圖,生平不詳,此冊幅後有題識,故知畫於一五七七至一五七八年之間。此圖為「羅漢冊」之一開,人物線描如行雲流水,造形則作變形處理。全幅筆法纖細,布局工整,設色雅淡,兼用青綠,頗有吳派風韻。 此圖繪椅具有明代四出頭官帽椅的基本特點,整體簡潔,扶手與座面間有豎棖,座面下橫豎支架交角處用牙條予以裝飾。下方前後棖高度相同,左右用羅鍋棖。翹頭案特徵乃案面兩端向上翹起,明代稱「飛角」,案面下兩側用擋板。此案比例勻稱,呈現明代家具典雅之美。&*The exact birth and death dates of Ting Yün-t’u are unknown. This leaf is from ˝Album of Lohans˝, which has inscriptions dating to 1577 and 1578, indicating when this painting was done. The brushstrokes .describing the figure are like ˝flowing water and drifting clouds, ˝ giving it a fluid character. The brushwork in the whole work is delicate and subtle, the composition well-executed and complete, and the coloring elegant and subdued. The use of blue-green is similar to the style of Wu School literati artists. The chair in this painting reflects the basic features of Ming armchairs with projecting rails. Pure and simple in design, the chair here has armrests supported by vertical braces. Below the seat, the interlocking vertical and horizontal framework employs spandrels for decoration. The braces at the front and rear of the lower section are of the same height, while the right and left sides have curving humpbacked stretchers. The table is characterized by everted flanges at either end, which were called ˝flying corners˝ in the Ming. Two sides of the table also have panels. The proportions of this table are even and restrained, revealing the classic beauty of Ming furniture.