明施餘澤拜石圖 軸
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- 資料識別：
- 故畫002347N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 施餘澤
- 主題與關鍵字：
- 奇石 庭院 欄杆 高士（士人、隱士） 侍從（侍女、童僕）
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 54.4x46公分、全幅 61公分
- 關聯：
- 石渠寶笈續編（寧壽宮），第五冊，頁2852&*故宮書畫錄（卷八），第四冊，頁89&*故宮書畫圖錄，第九冊，頁243-244&*施餘澤，字溥霖，康熙間（一六六二－一七二二）順天（今北平）人。山水秀逸多致，兼善仕女。 本幅描繪米芾拜石的故事。米芾（一○五一－一一○七）為宋代名書法家，好石成癖，嘗得一奇石，因特別喜愛而穿戴官服執笏禮拜之。&*Shih Yu-tse, whose style name was P'u-lin, was from Peking. His landscapes were elegant and refined, and he also excelled at depicting beautiful women. The subject of this painting concerns the story of Mi Fu paying homage to a rock. Mi Fu (1051-1107) was a famous calligrapher during the Sung dynasty. His passion to admire unusual rocks became his trait. He once acquired a rock which he appreciated so much that he put on his best official clothes and, carrying a tablet used by civil servants in audience with an emperor, paid homage to the stone.&* 宋代書畫名家米芾（一０五二－一一０八）有收藏奇石的癖好。在安徽無為作官時，見一巨石，形狀奇醜，十分喜愛，說這個奇石值得我朝拜，於是穿上官服，持笏鞠躬敬拜。後世引為米芾顛狂率真的故事之一。 施餘澤（活動於十七世紀），順天（今北京）人，擅長畫山水、人物、仕女。此畫強調巨石奇特的造型，人物動作也很誇張，反映晚明以奇為古的風尚。 &* Mi Fu (1052-1107), the famed Sung painter-calligrapher, was also a fanatic collector of unusual and exotically shaped rocks. In Anhwei, while inactive as an official, he saw a large, convoluted stone that he fell in love with, claiming it as worthy of him paying reverence to . He thereupon put on his official robes, took his official’s scepter, and bowed to the stone in respect. This is one story of Mi Fu’s reportedly naïve yet eccentric behavior. Shih Yü-tse, a native of Hsün-t’ien (modern Peking), specialized in painting landscapes, figures, and ladies. This painting emphasizes the strange shape of the large stone, the actions of the figure also being quite exaggerated. It thus reflects the late Ming trend of using eccentricity for archaic effect. &*宋代書畫名家米芾（一０五二－一一０八）有收藏奇石的癖好。在安徽無為作官時，見一巨石，形狀奇醜，十分喜愛，說這個奇石值得我朝拜，於是穿上官服，持笏鞠躬敬拜。後世引為米芾顛狂率真的故事之一。 施餘澤（活動於十七世紀），順天（今北京）人，擅長畫山水、人物、仕女。此畫強調巨石奇特的造型，人物動作也很誇張，反映晚明以奇為古的風尚。 &* Mi Fu (1052-1107), the famous Sung painter-calligrapher, was also a fanatic collector of unusual and exotically shaped rocks. In Anhwei, while inactive as an official, he saw a large, convoluted stone that he fell in love with, claiming it as worthy of him paying reverence to. He thereupon put on his official robes, took his official's scepter, and bowed before the stone in respect. This is one story of Mi Fu's naïve yet eccentric behavior. Shih Yü-tse, a native of Hsün-t'ien (modern Peking), specialized in painting landscapes, figures, and ladies. This painting emphasizes the strange shape of the large stone, the actions of the figure also being quite exaggerated, thus reflecting the late Ming dynasty trend of using eccentricity for an archaic effect.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
