元王蒙松山書屋 軸
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- 資料識別：
- 故畫002012N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 王蒙
- 主題與關鍵字：
- 高士（士人、隱士） 松 齋館 房舍 江河、湖海 瀑布 籬笆、圍牆 傢俱（屏風） 文玩（琴棋書畫） 香爐．火盆
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 元順帝至正九年（1349）
- 格式：
- 本幅 113x51.7公分、全幅 73.7公分
- 關聯：
- 石渠寶笈初編（御書房），下冊，頁1139 &*故宮書畫錄（卷八），第四冊，頁68&*故宮書畫圖錄，第四冊，頁345-346&*王蒙（西元一三○八—一三八五年），吳興（今浙江湖州）人。字叔明，號黃鶴山樵，自稱香光居士。趙孟頫外孫，強記力學，畫從趙孟頫風韻中來，又追法唐宋諸名家，尤以董源、巨然為宗，為元四大家之一。 山巒重疊，以乾筆牛毛皴皴擦，松林雜樹，蓊蓊鬱鬱，幾密不透風。高士一人，展卷於茅屋中。左上角以小篆題曰「松山書屋」，通幅畫作與題識方式，均展現王蒙古拙圓渾的筆韻。此幀完成於至正九年，是王蒙四十二歲之作。&*Wang Meng (style name Shu-ming and Huang-he shan-ch'iao) called himself Hsiang-Kuang chü-shih and was a native of Wu-hsing (modern Hu-chou, Chekiang). He was the maternal grandson of Chao Meng-fu (1254-1322). Wang Meng studied long and diligently, his painting style deriving from that of Chao Meng-fu. Wang also sought the methods of various T'ang (618-907) and Sung (960-1279) dynasty painters, especially the school of Tung Yüan (d. 962) and Chü-jan (f1.ca.960-980). Wang Meng became one of the Four Masters of the Yüan. Depicted in this painting are multiple ridges of piled mountains using the method of fine, dry "ox–hair" texture strokes. The luxuriant pine forests with assorted trees appear so dense that not even the wind can penetrate them. A scholar in a thatched hut can be seen opening a scroll. In the upper left corner is an inscription in small seal script which reads, "Studio in Pine-covered Mountains." The style of the painting and method of the inscription both exhibit the harmony of Wang Meng's awkwardly archaic and rounded brushwork. This painting was done in1349, when he was 41-years-old.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
