明文伯仁方壺圖 軸
推薦分享
資源連結
連結到原始資料 (您即將開啟新視窗離開本站)後設資料
- 資料識別：
- 故畫000536N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 文伯仁
- 主題與關鍵字：
- 日景 迴廊 橋 水榭 臺閣 宮殿 楊柳 松 山徑 名勝 雲 江河、湖海
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明世宗嘉靖四十二年（1563）
- 格式：
- 本幅 120.6x31.8公分、全幅 53公分
- 關聯：
- 石渠寶笈初編﹝養心殿﹞，上冊，頁655&*故宮書畫錄﹝卷五﹞，第三冊，頁399&*故宮書畫圖錄，第八冊，頁77-78&*1.王耀庭，〈明文伯仁方壺圖〉，收入王耀庭編，《青綠山水畫特展圖錄》（臺北：國立故宮博物院，1995年七月初版一刷），頁91-92。 &*文伯仁（西元一五○二－一五七五年），徵明從子，字德承，號五峰，又號葆生、攝山老農。長洲（江蘇蘇州）人。善山水、人物，巖巒鬱茂，學王蒙而不失家法。本幅波濤萬頃間，有仙山浮起，白雲繚繞其上，中藏道觀數起，自成桃源。全幅用筆繁細，敷色雅澹。「方壼」，為古代傳說中的仙山「方丈山」。 此畫取道教題材，故上下款也仿照早期釋道畫加框榜題的習慣。&*Wen Po-jen, a native of Soochow, was a nephew of the famous artist Wen Cheng-ming. In painting, Po-jen excelled at figures and landscapes, which usually have dense forests and mountains like those of Wang Meng yet still in the Wen family style. From the vast sea of roaring waves, peaks of the immortals tower up and touch the clouds. Taoist temples are nestled in the mountains. The world within makes for a paradise. The work is executed with complex, fine brushstrokes and elegant, light colors. Fang-hu is one of the 5 legendary mountains of the immortals in the Po Sea. Since this work adopts a Taoist subject, the inscriptions are written with rectangular frames in the convention of early Taoist and Buddhist paintings. &*文伯仁（一五○二－一五七五），徵明從子，字德承，號五峰，又號葆生、攝山老農。長洲（江蘇蘇州）人。善山水、人物，巖巒鬱茂，學王蒙而不失家法。本幅波濤萬頃間，有仙山浮起，白雲繚繞其上，中藏道觀數起，自成桃源。全幅用筆繁細，敷色雅澹。「方壼」，為古代傳說中的仙山「方丈山」，〔列子湯問〕：「渤海之東，不知幾億萬里，有大壑焉：其中有五山焉：一曰岱輿，二曰員蟜，三曰方壺，四曰瀛洲，五曰蓬萊。」此畫取道教題材，故上下款也仿照早期釋道畫加框榜題的習慣。&*Painting of the Fang-hu Mountain Wen Po-jen (1502-1575) Ming Dynasty Wen Po-jen, a native of Soochow, Kiangsu, was a nephew of Wen Cheng-ming. His style name was Te-ch’eng, sobriquets Wu-feng, Pao-sheng, and She-shan lao-nung. He excelled in landscape and figure painting. His landscape painting with dense forests on mountains and crags follows Wang Meng’s manner, but he still retained the family style of Wen Cheng-ming. From the vast sea of roaring waves tower up immortal mountains whose peaks touch clouds. Taoist temples are nestled in the mountains. The world within makes a paradise. The whole painting is executed with complicated, fine brushstrokes and elegant, light colors. The Fang-hu Mountain, also called the Fang-chang Mountain according to ancient legends, is one of the five immortal mountains in the Po Ocean. Because this painting adopts a Taoist subject, its inscriptions are written within rectangular frames, following the convention of early Taoist and Buddhist paintings.
- 管理權：
- 國立故宮博物院
授權聯絡窗口
- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
