石渠寶笈三編(延春閣),第四冊,頁1613 &*故宮書畫錄(卷八),第四冊,頁66 &*故宮書畫圖錄,第四冊,頁111-112 &*1.邱士華,〈傳元黃公望谿亭山色〉,收入何傳馨主編,《山水合璧:黃公望與富春山居圖特展》(臺北:國立故宮博物院,2011年五月初版一刷),頁361。&*本幅畫林巒繁密,泉壑幽深,主山居中,左側有步道登山,右側溪流曲折而下,山谷間房舍錯落,林木枝葉稀疏,山頂多礬石,間以平臺,山石呈圓弧形,以披麻皴重覆擦染,全畫呈現一股渾厚蒼茫之感。此幅款字及鈐印皆非黃公望真蹟。幅上項元汴(1525-1590)諸印疑不真。左方裱綾存明末清初黃澍跋。推測此作成畫年代約於晚明清初,即十七世紀前半。(20110609)&*This painting depicts dense forested mountains with deep and serene valley streams. The main mountain forms are positioned centrally with a trail on the left heading up and a stream winding down through the right side. Houses are scattered in the valleys as trees with few branches appear among them. Many alum-head rocks appear at the top of the mountains interspersed with flat outcroppings. The rounded arcing mountain forms and overlapping application of hemp-fiber texture strokes give the entire work a simple yet hoary feeling. Neither the signature nor seal purportedly from Huang Gongwang, however, are authentic. The collection seals of Xiang Yuanbian (1525-1590) also appear to be spurious. At the left on the mounting silk is a colophon by Huang Shu of the late Ming and early Qing, suggesting this work was done around that time (in the first half of the 17th c.).(20110609)