石渠寶笈初編(御書房),下冊,頁866&*故宮書畫錄(卷六),第四冊,頁174&* 陸治(西元一四九六-一五七六年),江蘇蘇州人。字叔平,住在包山,因號包山子。以孝友著稱,好為詩及古文辭,善行楷,尤通繪事,遊祝允明、文徵明之門。其於繪畫,力求出奇致勝。工寫生,點染花鳥竹石亦頗能傳神,是明代有名的畫家。 此冊款署己亥(西元一五三九年),陸治四十四歲,為蔡羽送陳啟之詩配圖,雖云記實之作,卻出以疏放筆調,似不經意,意趣重於形似,文人抒情,往往如此。 選展二開,為「陸治蔡羽書畫合璧」冊第十、十一開。 &*Lu Chih was a native of Soochow, Kiangsu province. His style name was Shu-p’ing; his sobriquet was Pao-shan-tzu. He was famous for his filial piety and loyal friendship. An accomplished poet, writer, painter and calligrapher, he was a student of such artistic luminaries as Chu Yün-ming (1460-1526) and Wen Cheng-ming (1470-1559). In his paintings he gave full play to his idiosyncratic style. He excelled at drawing from life, and his flower-and-bird and bamboo-and-rock paintings show a great sense of animation. Lu became a well-known Ming dynasty painter. This album was painted in 1544 when Lu was forty-four, to accompany a poem by Ts’ai Yü seeing off Ch’en Ch’i-chih. Although it is a record of an event, it was executed in a carefree manner to create mood rather than to capture verisimilitude. The literati often expressed their feelings in this manner. The two leaves selected for this exhibition are the tenth and eleventh works in the album by Lu and Ts’ai. &*1.王耀庭、張華芝,〈明陸治都下送啟之、秋盡虎丘〉,收入王耀庭、張華芝編,《明陸治作品展覽圖錄》(臺北:國立故宮博物院,1992年初版),頁69。