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符合的藏品
共找到 46 筆符合的資料
清楊晉畫柳塘春牧 軸
of Wang Hui, Yang Chin’s produced landscapes that were pure and refined; his later landscapes were.....more
- 1/46
元俞和臨張養浩書忠祐廟碑 冊
Meng-fu. The Chung-yu Temple stele was calligraphed by the Yüan Vice Censor-in-chief Chang Yang-hao.....more
- 2/46
花卉畫冊 冊 清楊晉梅花水仙
畫梅和水仙，都是清雅之物，在他信手掃出，簡筆淡墨，特有一種清麗脫俗的氣質。 &*Ink Plum and Narcissus Yang Chin (1644-after 1726) Ch’ing.....more
- 3/46
清永瑆臨御筆九成宮醴泉銘 軸
’ brushwork. In his early years he followed Chao Meng-fu’s style but later turned to Ou-yang Hsün’s.....more
- 4/46
宋元墨寶 冊 元張雨書五言律詩
manner was similar to that of his contemporary, Yang Wei-chen. Traveling throughout Kiangnan after.....more
- 5/46
明欽揖摹古 冊 墨梅
’in I followed the calligraphic styles of Ou-yang Hsün (557-641) and Ch’u Sui-liang (596-658). His.....more
- 6/46
清周凱青鐙課讀圖 軸
’ing Dynasty Chou K’ai (style name Chung-li, sobriquet Yün-kao) was a native of Fu-yang.....more
- 7/46
清蔣廷錫月來香圖 軸
。 &* Chiang T’ing-hsi was a native of Ch’ang-shu, Kiangsu province. His style names were Yang-sun and Yu-ch.....more
- 8/46
明李士達坐聽松風圖 軸
Li Shih-ta (17th century) Ming Dynasty Li Shih-ta, sobriquet Yang-huai, was a native of Ku-su.....more
- 9/46
清徐揚繪鵝子圖御題 軸
，濃淡均勻，石用細皴，亦濃淡相間，通幅有清雅舒爽之感。 &*Geese Hsü Yang (active late 18th cent.) Ch’ing dynasty Hsü.....more
- 10/46
元人法書 冊 楊維禎書晚節堂詩
as he later settled in Songjiang. Yang’s calligraphy was wild, pure and forceful. He did this work.....more
- 11/46
宋人法書（三） 冊 宋朱敦儒書...
) was a native of Lo-yang who was also known at the time as Lo-ch'uan hsien-sheng. Of noble and refined character.....more
- 12/46
名賢妙蹟 冊 宋馬遠倚雲仙杏
is an inscription by Yang Mei-tzu, consort of Emperor Ning-tsung. &*款「臣馬遠畫」，折枝構圖簡潔，工筆設色。楊皇后（1162-1233）小楷書「迎風呈.....more
- 13/46
宋歐陽修集古錄跋 卷
潤無窮。後人觀之，如見其清眸豐頰，進趨曄如也。」可謂形容盡妙。而歐公自云：「余因李邕書得筆法，然為字絕不相類云云。」今觀其書，於顏為近。&*Ou-yang Hsiu (whose style-name.....more
- 14/46
唐褚遂良書倪寬傳贊 卷
, a native of Hangchow, excelled at clerical script and was praised by Ou-yang Hsün, a famous.....more
- 15/46