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符合的藏品

清李世倬對松山圖 軸

清李世倬對松山圖 軸

, who inscribed a poem in the upper part. The path here twists into the clouds above for a lofty.....more

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清鄒一桂畫梨花夜月 軸

清鄒一桂畫梨花夜月 軸

behind Painting Manual of Xiaoshan. Here a peach tree branch hangs from the upper right, bending.....more

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宋錢選荔枝圖 卷

宋錢選荔枝圖 卷

life using rich colors. The upper portion of the painting is filled with green foliage and red lichee.....more

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明人畫扇 冊 明人梅花

明人畫扇 冊 明人梅花

the left and up out of the composition. The upper branch extending to the left contrasts.....more

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明唐寅倣唐人仕女 軸

明唐寅倣唐人仕女 軸

unrestrained only in the trees and rocks of the background and the inscription in the upper right. Similar.....more

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清王鑑倣王蒙秋山圖 軸

清王鑑倣王蒙秋山圖 軸

. Mountains rise from the lower left of the painting diagonally to the upper right, turning back.....more

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五代梁關仝秋山晚翠 軸

五代梁關仝秋山晚翠 軸

places. For example, the continuity between the central cliff and mountain forms in the upper right.....more

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宋人枇杷猿戲圖 軸

宋人枇杷猿戲圖 軸

through the space, reaching out of the painting, into the upper left, and then back down through the top.....more

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五代後蜀丘文播文會圖 軸

五代後蜀丘文播文會圖 軸

the restraints of the upper surface border. The floral decor of the lower portion disappeared and the horizontal.....more

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明張宏石屑山圖 軸

明張宏石屑山圖 軸

. These tightly composed elements link the upper and lower parts of the painting together. Chang Hung’s.....more

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明文伯仁松岡竹塢圖 軸

明文伯仁松岡竹塢圖 軸

was done in 1564, and six years later Wen Boren inscribed poetry in its upper right part. The title comes.....more

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明居節畫江南春 軸

明居節畫江南春 軸

“Spring in Chiang-nan” in the upper right hand portion of the painting. The painting techniques.....more

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明唐寅臨水芙蓉圖 軸

明唐寅臨水芙蓉圖 軸

unrestraint. The artist’s inscription in the upper right indicates it was done for his friend.....more

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清傳綮寫生 冊 白梅

清傳綮寫生 冊 白梅

half of the composition. In the upper right corner is the artist's inscription, which suitably.....more

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宋人柳陰高士圖 軸

宋人柳陰高士圖 軸

。&*In the shade of a willow, a gentleman sits informally on a leopard skin with his upper body exposed.....more

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