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符合的藏品

元人法書 冊 張雨書聽泉亭絕句

元人法書 冊 張雨書聽泉亭絕句

the running script is free and natural, we see traces of his early study of Chao Meng-fu’s style.....more

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宋四家集冊 冊 宋蘇軾書跋語 

宋四家集冊 冊 宋蘇軾書跋語 

here, they are broad and dignified in mature and steady brushwork. Brush traces as thin as silk.....more

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清鄒一桂畫金英秋實 軸

清鄒一桂畫金英秋實 軸

is an extremely soft and elegant style that still reveals traces of Yün Shou-p’ing’s manner.....more

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清王武花鳥 軸

清王武花鳥 軸

traces of the monochrome ink style of the flower painting master Ch’en Ch’un (1483-1544) of the Min.....more

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明王寵書雜詩 冊

明王寵書雜詩 冊

with few traces of connecting brushwork. The brush force is dignified with a neat and tidy harmony.....more

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明孫龍寫生 冊 柔桑戴勝

明孫龍寫生 冊 柔桑戴勝

, leaving behind tangible traces of the rhythm of the brush. &*1.譚怡令,〈明孫龍柔桑戴勝〉,收入譚怡令編,《畫裡珍禽》(臺北:國立故宮博物院.....more

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明董其昌倣宋元人縮本畫及跋 冊 倣黃公望臨董源夏山圖

明董其昌倣宋元人縮本畫及跋 冊...

and winding path are traces of human activity in the form of travelers. In this landscape on silk done.....more

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宋人溪山暮雪 軸

宋人溪山暮雪 軸

reveals traces of the “main central mountain” composition. However, it already departs from the Northern.....more

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宋人溪山暮雪 軸

宋人溪山暮雪 軸

reveals traces of the “main central mountain” composition. However, it already departs from the Northern.....more

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六朝梁張僧繇雪山紅樹圖 軸

六朝梁張僧繇雪山紅樹圖 軸

forms, and his painting style shows traces of foreign influence. In this work, amid snow-covered.....more

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元黃公望富春山居圖 卷

元黃公望富春山居圖 卷

artistic career. Taking 4 years and finished in 1350, traces of his retouching are still.....more

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明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

for the stamens. The use of brush and ink is simple and light, as if the artist left behind no traces.....more

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明陳洪綬畫荷花 軸

明陳洪綬畫荷花 軸

and turning with traces of “flying white” broken brushwork inside. The technique is very refined.....more

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唐褚遂良摹王羲之長風帖 卷

唐褚遂良摹王羲之長風帖 卷

and rich, the stops and starts of the strokes along with the turning points clearly revealing traces.....more

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藝林集玉 冊 無款秋溪待渡圖

藝林集玉 冊 無款秋溪待渡圖

of land not revealing traces of brushwork for texturing. The painting combines the landscape.....more

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