搜尋:style

符合的藏品

明李士達寒林鍾馗 軸

明李士達寒林鍾馗 軸

and ponderous quality. Since the style here differs from that of two other works by Li in the National Palace.....more

1366/3067
清艾啟蒙畫風猩 軸

清艾啟蒙畫風猩 軸

to fine-line style of Sichelbart’s Chinese contemporaries, Tsou I-kuei and Chiang T’ing-hsi. &* 艾啟蒙(西元一七0八.....more

1367/3067
清傳綮寫生 冊 白梅

清傳綮寫生 冊 白梅

an original style with which to convey his feelings. This work, from "Album of Sketches from Life.....more

1368/3067
清傳綮寫生 冊 芙蓉

清傳綮寫生 冊 芙蓉

developed an individual style, simplified and untrammeled, that brings a magical quality of life.....more

1369/3067
明陸治畫仙圃長春 卷

明陸治畫仙圃長春 卷

style with colors follows in the tradition of Sung artists. It was done by Lu Chih in 1560 at the .....more

1370/3067
明陳洪綬畫荷花 軸

明陳洪綬畫荷花 軸

,年四十九歲。&* Ch’en Hung-shou, a native of Chekiang, was known for his unique style of painting.....more

1371/3067
元趙孟頫書畫孝經 卷

元趙孟頫書畫孝經 卷

and strong, the strokes fluid and powerful. Judging from the style, this old attribution to Zhao.....more

1372/3067
明宣宗書上林冬暖詩 軸

明宣宗書上林冬暖詩 軸

Tu and Shen Ts'an. His refined style gradually gave way to rounded, centered brushwork.....more

1373/3067
明唐寅山水 卷

明唐寅山水 卷

the style of Chou Ch’en, whom he eventually surpassed. T’ang Yin, a native of Wu, Kiangsu, had style.....more

1374/3067
藝林集玉 冊 無款秋溪待渡圖

藝林集玉 冊 無款秋溪待渡圖

indicate a Northern Sung (960-1126) style.&*右側繪雙松聳峙坡岸,松下挑擔二人等待渡江。松樹掩映中景,則是一處大型院落,院落門徑隱藏在山石之後,兩人騎驢與侍僕數人.....more

1375/3067
清惲壽平寫生花卉 冊 牡丹

清惲壽平寫生花卉 冊 牡丹

in his repertoire and creating a new style, he became a leader in the genre. In this ink painting.....more

1376/3067
明邊文進歲朝圖 軸

明邊文進歲朝圖 軸

between solid and void. The brushwork is steady and mature, revealing the artist’s study of the style.....more

1377/3067
名繪集珍 冊 宋夏圭觀瀑圖

名繪集珍 冊 宋夏圭觀瀑圖

入,卻可顯示出十二世紀晚期,受南宋李唐山水畫風的影響。(陳階晉)&*Hsia Kuei, whose style name was Yü-yü, was a native.....more

1378/3067
清王時敏倣黃公望浮嵐暖翠圖 軸

清王時敏倣黃公望浮嵐暖翠圖 軸

. His style name was Hsün-chih; he was also known as Yen-k’o, Hsi-lu lao-jen, Hsi-t’ien chu-jen.....more

1379/3067
清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

’i was from T’ai-ts’ang in Kiangsu. His style name was Mao-ching, and his sobriquets were Lu-t’ai.....more

1380/3067