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符合的藏品

明人松風高逸 軸

明人松風高逸 軸

elements derived form the works of Ch'en Hung-shou (1599-1652). 本幅 132x46公分、全幅 74公分 類型:繪畫 型式:靜態圖像 數位化執.....more

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清吳歷倣吳鎮山水 軸

清吳歷倣吳鎮山水 軸

Well]) was a native of Ch’ang-shu, Kiangsu. Wu Li studied painting as an adult with Wang Shih-min.....more

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明陳洪綬仙人獻壽圖 軸

明陳洪綬仙人獻壽圖 軸

幅作磐石虯松,仙姑二人。用筆設色皆別於他人,自有一種渾古奇拙之氣。 &* Ch’en Hung-shou, from a gentry family of Chekiang, was a gifted.....more

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明郭詡東山攜妓圖 軸

明郭詡東山攜妓圖 軸

to the capital. Later, he refused a call to service by Prince Ning (Chu Ch’en-hao), who revolted in 1519.....more

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清楊晉畫柳塘春牧 軸

清楊晉畫柳塘春牧 軸

; it differs in style from his earlier, more carefully executed works. Yang Chin was a native of Ch.....more

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清鄒一桂畫秋色 軸

清鄒一桂畫秋色 軸

; sobriquets Hsiao-shan, Jang-ch’ing and, late in life, Erh-chih lao-jen) was a native of Wu-hsi.....more

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清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

; his sobriquets were Little Mountain, Jang-ch’ing, and in his later years, Old Man Erh-chih. He.....more

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清王武畫花卉 冊 竹下紅梅

清王武畫花卉 冊 竹下紅梅

不遠。 &* Wang Wu (style name Ch’in-chung; sobriquet Wang-an) called himself Hsűeh-tien tao-jen.....more

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明崔子忠畫蘇軾留帶圖 軸

明崔子忠畫蘇軾留帶圖 軸

, Ts’ui Tzu-chung and Ch’en Hung-shou (1599-1652) were equally famous during the 17th century. Su Tung.....more

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清王翬雲溪草堂圖 卷

清王翬雲溪草堂圖 卷

竹垞詩註中。本幅用筆甚工,以青綠設色,石谷著意作也,惟用力既多,或不免於板滯。有王士禎宋犖諸題,並可見徐之交遊。 &* Wang Hui was a native of Ch’ang-shou.....more

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清柳遇畫鶯粟 軸

清柳遇畫鶯粟 軸

) Hsien-ch’i, was a native of Suchou in Kiangsu province. He excelled in figure painting, achieving.....more

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明陳洪綬畫荷花 軸

明陳洪綬畫荷花 軸

,年四十九歲。&* Ch’en Hung-shou, a native of Chekiang, was known for his unique style of painting.....more

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清惲壽平花卉 軸

清惲壽平花卉 軸

(1633-1690) Ch’ing Dynasty A native of Kiangsu, Yün Shou-p’ing was the leading.....more

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清惲壽平五清圖 軸

清惲壽平五清圖 軸

、月以代表君子高清不流俗的情操,全作用墨、構景皆恬淡閑靜,君子之氣溢於畫表。&*The Five Purities Yün Shou-p'ing (1633-1690) Ch'ing.....more

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無量壽佛會慶圖 冊 海洞潮音

無量壽佛會慶圖 冊 海洞潮音

shou-fo hui-ch’ing t’u.&*1.葛婉章,〈清人畫海洞潮音〉,收入葛婉章編,《妙法蓮華經圖錄》(臺北:國立故宮博物院,1995年初版),頁121-122。 2.李玉珉,〈清人畫海洞潮音.....more

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