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明丁雲鵬廬山高 軸

明丁雲鵬廬山高 軸

-ning, Anhwei. One of the greatest artists of the late Ming, he excelled at painting Taoist.....more

1501/3480
清王時敏倣王維江山雪霽 軸

清王時敏倣王維江山雪霽 軸

, and was especially fond of Huang Kung-wang’s paintings. He is known as one of the Four.....more

1502/3480
清王鑑倣黃公望煙浮遠岫圖 軸

清王鑑倣黃公望煙浮遠岫圖 軸

and devoted himself to the study of painting and its principles. He is considered one of the “Four Masters.....more

1503/3480
清王時敏倣王蒙山水 軸

清王時敏倣王蒙山水 軸

成於康熙丁未(一六六七年),時年七十五。 &* The talented and learned Wang Shih-min was one of the “Four Masters.....more

1504/3480
清王翬倣李營丘江干七樹圖 軸

清王翬倣李營丘江干七樹圖 軸

and became one of the Four Masters of the Early Ch’ing. Seven trees stand on a foreground bank. In the cent.....more

1505/3480
清惲壽平五清圖 軸

清惲壽平五清圖 軸

of P'i-ling. Considered one of the Six Masters of Early Ch'ing, he is ranked as a leading painter.....more

1506/3480
清王原祁華山秋色 軸

清王原祁華山秋色 軸

Masters but also was able to give play to his natural talents, becoming known as one of the Four Wangs.....more

1507/3480
清王原祁秋山圖 軸

清王原祁秋山圖 軸

for a striking effect, while the strokes on the mountains were executed with an oblique brush. One feels.....more

1508/3480
清郎世寧畫交阯果然 軸

清郎世寧畫交阯果然 軸

. Its head is raised as though looking at something, and its facial expression is one of alertness.....more

1509/3480
清郎世寧百駿圖 卷

清郎世寧百駿圖 卷

Castiglione, one of the most famous Europeans in the service of the Ch’ing dynasty court. This handscroll.....more

1510/3480
宋諸名家墨寶 冊 宋范成大書尺牘 

宋諸名家墨寶 冊 宋范成大書尺...

Chengda was one of the “Four Southern Song Masters.” Besides following in the family style of his.....more

1511/3480
宋易元吉猴貓圖 卷

宋易元吉猴貓圖 卷

n bird-and-flower painting), he decided to turn another subject in which no one.....more

1512/3480
清黃鉞繪時華紀瑞 軸

清黃鉞繪時華紀瑞 軸

Jiaqing, and Daoguang Emperors, excelling in the painting of landscape and flower subjects. He was one.....more

1513/3480
明仇英美人春思圖 卷

明仇英美人春思圖 卷

-chou), one of the Four Masters of the Ming, was a native of T’ai-ts’ang, Kiangsu. Originally.....more

1514/3480
明周臣漁?圖 卷

明周臣漁?圖 卷

. Following the compositional arrangement from right to left, one’s eye is led along the river banks.....more

1515/3480

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