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符合的藏品

名畫琳瑯 冊 明文嘉石湖秋色

名畫琳瑯 冊 明文嘉石湖秋色

and is one of the area's scenic sites noted for beautiful hills and lakes. Wu School artists often.....more

1486/3480
明邊文進歲朝圖 軸

明邊文進歲朝圖 軸

. In this painting, dated to 1427, is a vase of flowers and plants similar to one that would have been decorative.....more

1487/3480
歷朝名繪 冊 宋馬和之古木流泉 

歷朝名繪 冊 宋馬和之古木流泉...

collection of poetry dating to the Chou dynasty. This work illustrates one of the four-character.....more

1488/3480
清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

ranges. One of them goes from the lower left to the middle right and then extends to the main.....more

1489/3480
清王原祁仿黃公望筆意 軸

清王原祁仿黃公望筆意 軸

glance], it is easy to see the beauty. Moving amidst the ink in the work, one can achieve few of its.....more

1490/3480
名賢妙蹟 冊 宋馬遠倚雲仙杏

名賢妙蹟 冊 宋馬遠倚雲仙杏

the beauty of rouge.” Next to the inscription are impressions of her two seals, one for “Kungua.....more

1491/3480
歷朝名人圖繪  冊 無款遠水揚帆

歷朝名人圖繪  冊 無款遠水揚...

breeze may be discerned as the leaves, reeds and sails all bend and sway in one direction.....more

1492/3480
明文徵明沈周唐寅仇英便面合裝冊 冊 明沈周秋景山水

明文徵明沈周唐寅仇英便面合裝冊...

feelings of great antiquity. He is considered one of the four great painters of the Ming Dynasty.....more

1493/3480
花卉畫冊 冊 明陳繼儒梅花

花卉畫冊 冊 明陳繼儒梅花

monochrome ink spread on to depict the plum trunk, branches, stamens, and calyxes. Not one.....more

1494/3480
明人扇頭畫 冊 明陸治水墨山水

明人扇頭畫 冊 明陸治水墨山水

四七O-一五五九)學習,也在文徵明的指導下探索宋元畫家筆法。陸治此後能夠成就自己的風格,關鍵之一便在於此。&*Of Lu Chih’s surviving works, the only one.....more

1495/3480
宋米芾尺牘 卷

宋米芾尺牘 卷

with Ts'ai Hsiang, Su Shih, and Huang T'ing-chien as one of the Four Masters of the Northern Sung.....more

1496/3480
元明人詞翰 卷 王逢書五言古詩

元明人詞翰 卷 王逢書五言古詩

calligraphy is free and wile, and the well-practiced brushstrokes stretch out horizontally. This is one.....more

1497/3480
明呂紀畫草花野禽 軸

明呂紀畫草花野禽 軸

. He eventually became one of the greatest painters of birds and flowers of the Ming dynasty. During.....more

1498/3480
明沈周畫芝蘭玉樹 軸

明沈周畫芝蘭玉樹 軸

at that time, when Shen Chou was fifty-one. &  坡上靈芝蘭草,後倚大石。玉蘭花一株,在石後出枝,每枝三五花,用筆極秀,與晚年筆趣大異,文徵明.....more

1499/3480
明董其昌葑涇訪古圖 軸

明董其昌葑涇訪古圖 軸

; not one brushstroke lacks a sense of life. Tung Ch’i-ch’ang truly was satisfied with the painting. &.....more

1500/3480

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