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符合的藏品

清王原祁仿黃公望筆意 軸

清王原祁仿黃公望筆意 軸

Yűan-ch’i’s use of brush and ink is quite skilful. In this scroll Wang Yűan-ch’i was extremely.....more

631/1063
明沈周策杖圖 軸

明沈周策杖圖 軸

at depicting such subjects as flowers-and-fruit and birds-and-animals in monochrome ink. A scholar carrying.....more

632/1063
明李士達坐聽松風圖 軸

明李士達坐聽松風圖 軸

. The archaic colors here harmonize with the ink tones, yet the red saucer stands out enough to draw.....more

633/1063
明董其昌奇峰白雲圖 軸

明董其昌奇峰白雲圖 軸

-up of layers of ink-the pale becoming the dark. Vapor seems to pervade the trees, while.....more

634/1063
明丁雲鵬廬山高 軸

明丁雲鵬廬山高 軸

and Buddhist subjects and landscapes. His outline method in monochrome ink closely resembles Li Kung-lin's.....more

635/1063
清王時敏倣王蒙山水 軸

清王時敏倣王蒙山水 軸

; ink is applied in progressively darker layers. This work, executed in meticulous, detailed.....more

636/1063
清元濟王原祁合作蘭竹 軸

清元濟王原祁合作蘭竹 軸

, Yuan-chi painted the orchids and bamboo. His brushwork was fluid and moist with his ink quite watery.....more

637/1063
五代南唐巨然溪山林藪圖 軸

五代南唐巨然溪山林藪圖 軸

but was attributed to Chü-jan. The use of the brush and ink, however, is closer.....more

638/1063
明周天球墨蘭 卷

明周天球墨蘭 卷

Ink Chou T’ien-ch’iu (1514-1595) Ming Dynasty Chou T’ien-ch’iu (style name Kung-hsia; sobriquet .....more

639/1063
明仇英美人春思圖 卷

明仇英美人春思圖 卷

are outlined in light ink and the water with washes of greyish-green. The composition is simple yet refined.....more

640/1063
清花卉畫冊 冊 清江介花卉

清花卉畫冊 冊 清江介花卉

first outlined in pale ink on a white base and then filled in with rattan yellow and translucent green.....more

641/1063
清陳字文房集錦 冊

清陳字文房集錦 冊

of conventional painting for the pure beauty of brush and ink. &*1.劉芳如,〈清陳字嬰戲鍾馗〉,收入國立故宮博物院編輯委員會編,《迎歲集福.....more

642/1063
清惲壽平摹古 冊

清惲壽平摹古 冊

” approach, in which he did not outline the forms but instead directly applied washes of ink.....more

643/1063
清周亮工集名家山水 冊 明程正揆泉石林巒

清周亮工集名家山水 冊 明程正...

here employed a centered blunt brush with light ink to create a secluded and remote scene.....more

644/1063
明人書畫扇(卯) 冊 明陳淳丹花奇石

明人書畫扇(卯) 冊 明陳淳丹...

in ink washes without texture strokes. An early work, it was done in 1514 at the Chinese age of 32.....more

645/1063