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符合的藏品

清董邦達江關行旅 軸

清董邦達江關行旅 軸

followed that of Tung Chi-ch’ang, achieving the clarity and elegance of Yüan artists.....more

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民國王震蘆舟 冊頁

民國王震蘆舟 冊頁

冊為林誠道先生捐贈。 &*Skiff and Reeds Wang Chen (1867-1938) Republican Period Wang Chen (style name I-t’ing.....more

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明楊文驄畫蘭竹 軸

明楊文驄畫蘭竹 軸

and critic Tung Chi-ch’ang praised him profusely. A spray of bamboo, a corner of rock and a clump.....more

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明文徵明書七言律詩 軸

明文徵明書七言律詩 軸

, painter, and calligrapher of his day. His fame equaled that of Tung Ch'i-ch'ang. Wen modeled his small.....more

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清惲壽平寫生墨妙 冊 菊花

清惲壽平寫生墨妙 冊 菊花

of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked as a leading painter.....more

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清王原祁山川煥采圖 軸

清王原祁山川煥采圖 軸

發,層次分明,結構嚴謹。畫山畫樹,狀似草草,而筆墨精練,實從錘鍊中出也。&* Wang Yűan-chi, a native of Kiangsu province.....more

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清方琮石壁秋林 軸

清方琮石壁秋林 軸

texture stroke methods of the early 18th century painter Wang Yüan-chi. Furthermore.....more

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清張宗蒼竹亭觀瀑圖 軸

清張宗蒼竹亭觀瀑圖 軸

painter he was a student of both Huang Ting (1660-post.1730) and Wang Yüan-chi (1642-1715.....more

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清張宗蒼松陰高士圖 軸

清張宗蒼松陰高士圖 軸

(1660-1730), he thereby absorbed the style of Huang’s teacher, Wang Yüan-chi (1642-1715). In 1751.....more

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明董其昌書白羽扇賦 軸

明董其昌書白羽扇賦 軸

窮。&*Though Tung Ch'i-ch'ang was a chin-shih civil service candidate, he led a rather uneventful.....more

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明董其昌書杜律 冊

明董其昌書杜律 冊

所作。董氏傳世草書不多,本冊受二王及懷素風格影響,然運筆構字、線條粗細、轉折起伏,皆較早期稍富變化,通幅多用中鋒圓筆,筆乾墨燥,時出飛白,洋溢動態之美。&*Tung Ch'i-ch'ang.....more

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清嚴宏滋採芝仙圖 軸

清嚴宏滋採芝仙圖 軸

A.D.) Ch’ing dynasty A skilled calligrapher and painter, Yen Hung-tzu (tzu P’i-hsü) was noted.....more

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清董邦達三潭印月 軸

清董邦達三潭印月 軸

served on the Board of Rites. He studied the landscape painting of Tung Chi-ch’ang (1555-1636.....more

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DL_002_0002, His Holiness the 14th Dalai Lama on Nagarjuna, Six Collections of Reasonings 六理聚論

DL_002_0002, His Holiness the ...

gtam bya ba rin po ch'i phreng ba. The first five focus on the view of emptiness while the sixth.....more

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DL_002_0003, His Holiness the 14th Dalai Lama on Nagarjuna, Six Collections of Reasonings 六理聚論

DL_002_0003, His Holiness the ...

gtam bya ba rin po ch'i phreng ba. The first five focus on the view of emptiness while the sixth.....more

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