搜尋:composition

符合的藏品

宋劉松年十八學士圖 卷

宋劉松年十八學士圖 卷

composition. The brushstrokes are swift, calculated, and rounded. Monochrome ink tones have been used.....more

421/1135
宋李唐江山小景 卷

宋李唐江山小景 卷

. The handscroll format, presenting the composition in a horizontal manner, here emphasizes the “void.....more

422/1135
宋錢選煙江待渡圖 卷

宋錢選煙江待渡圖 卷

. The painting has a flat distance composition with its vast body of water suggesting.....more

423/1135
宋江參千里江山圖 卷

宋江參千里江山圖 卷

throughout the entire composition. The brushstrokes are swift, calculated, and rounded. Monochrome ink tones.....more

424/1135
明呂紀秋鷺芙蓉圖 軸

明呂紀秋鷺芙蓉圖 軸

. The composition is very lifelike, and the interaction among egrets seems most.....more

425/1135
明文伯仁松岡竹塢圖 軸

明文伯仁松岡竹塢圖 軸

retains Wen Boren’s love of filling the composition with details. Similar in style to the fan “Li Yuan.....more

426/1135
明徐賁廬山讀書圖 軸

明徐賁廬山讀書圖 軸

in conversation. The composition is complex, but not overly chaotic. The brushwork is gentle and varied.....more

427/1135
明王紱淇渭圖 軸

明王紱淇渭圖 軸

into view for a creative composition. A sense of grandeur and multitude appears is suggested.....more

428/1135
明戴進風雨歸舟 軸

明戴進風雨歸舟 軸

brushwork, ranging from free and unbridled to moist and mature. Areas of the composition have been left.....more

429/1135
明仇英桐陰晝靜圖 軸

明仇英桐陰晝靜圖 軸

," now in the Shanghai Museum, is similar in composition to this work. &*  仇英,生卒不詳,其作品見於正德己巳至嘉靖壬子間(西元.....more

430/1135
集古名繪 冊 元王冕幽谷先春

集古名繪 冊 元王冕幽谷先春

tree in bloom extending diagonally from the lower left part of the composition. With liberal washes.....more

431/1135
明董其昌夏木垂陰圖 軸

明董其昌夏木垂陰圖 軸

dark to light and wet to dry. The composition is complex but not confused.....more

432/1135
明孫枝梅花水仙 軸

明孫枝梅花水仙 軸

painting composition. On a slope is a rock with flowers and a tree branch, making for a full scene.....more

433/1135
明呂紀荷渚睡鳧 軸

明呂紀荷渚睡鳧 軸

&*On a moonlit night in thick fog, four geese rest on a sand bar amidst lotuses and rushes. The composition.....more

434/1135
明陸治仙山玉洞圖 軸

明陸治仙山玉洞圖 軸

it was named. The towering composition follows after the monumental landscape manner of Sung artists.....more

435/1135

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