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五代南唐巨然層巖叢樹圖 軸
「礬頭」，仍是董巨派的特徵。另外，畫中使用淡墨，用以捕捉一抹雲嵐的氛圍，讓人想起煙雨江南，則不改其南方山水畫派的本質。&Chü-jan, a native.....more
- 977/5386
明周之冕畫葡萄松鼠 軸
Chih-mien, style name Fu-ch’ing and sobriquet Shao-ku, was a native of Ch’ang-shu in Kiangsu.....more
- 980/5386
明錢穀畫杏花喜鵲 軸
之遺韻。 &* Ch’ien Ku was a native of Wu-hsien, Kiangsu. His style name was Shu-pao, and he called.....more
- 982/5386
明文徵明書七言律詩 軸
, painter, and calligrapher of his day. His fame equaled that of Tung Ch'i-ch'ang. Wen modeled his small.....more
- 985/5386
清惲壽平寫生墨妙 冊 菊花
，為清代花卉畫宗師。本幅為「寫生墨妙冊」第九幅，畫折枝菊花，金黃粉紅爭艷，筆下自有一股瀟灑之氣。&*Chrysanthemums Yun Shou-p’ing (1633-1690) Ch’ing.....more
- 986/5386
清羅牧林壑蕭?圖 軸
Forests in the Valley Luo Mu (1622-after 1704) Ch’ing Dynasty Luo Mu (style name Fan-niu) was a native.....more
- 987/5386
五代南唐巨然囊琴懷鶴 軸
formerly attributed to Chü-jan, mountains tower out of misty valleys. At the foot of the mountains.....more
- 989/5386
清王原祁山川煥采圖 軸
發，層次分明，結構嚴謹。畫山畫樹，狀似草草，而筆墨精練，實從錘鍊中出也。&* Wang Yűan-ch’i, a native of Kiangsu province.....more
- 990/5386