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符合的藏品

明仇英畫移竹圖 軸

明仇英畫移竹圖 軸

of the "Four Masters of the Ming Dynasty," was from T’ai-ts’ang, Kiangsu. His style-name was Shih-fu.....more

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明文臺香象皈依圖 軸

明文臺香象皈依圖 軸

軀拉長,巨石造形怪異,菩薩衣紋和白象的皮褶又似平行的線條表現,頗具變形之趣。全作筆墨高古,富於變化。 &* Wen T’ai (style name Yün-ch’eng.....more

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明仇英脩褉圖 軸

明仇英脩褉圖 軸

體設色,若此學文徵明一派面目,筆墨淡雅者不常見。 &*Ch’iu Ying was a native of T’ai-ts’ang, kiangsu. Beginning his career.....more

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宋蘇漢臣灌佛戲嬰 軸

宋蘇漢臣灌佛戲嬰 軸

capital, K'ai-feng. He served in the Imperial Painting Academy during the late the Northern Sung Dynasty.....more

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元柯九思谿亭山色圖 軸

元柯九思谿亭山色圖 軸

種渾樸古拙的韻味。&*K'o Chiu-ssu was a native of T'ai-chou, Chekiang. His style name was Ching-chung, his.....more

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明仇英寶繪堂 軸

明仇英寶繪堂 軸

Paintings Hall”. Ch’iu Ying, a native of T’ai-ch’ang in Kiangsu, originally was a lacquer craftsman who.....more

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明錢穀惠山煮泉圖 軸

明錢穀惠山煮泉圖 軸

connoisseur Lu Yü called it “the second spring under heaven”. In the Sung, the renowned Ts'ai.....more

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明董其昌仿米瀟湘白雲 軸

明董其昌仿米瀟湘白雲 軸

at connoisseurship. He is the author of several books, such as The Jung-t’ai Literary Collection, Hua-chih (Points.....more

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明陸治天中佳卉 軸

明陸治天中佳卉 軸

belief, is a depiction of a T’ai-hu garden rock surrounded by calamus in a rectangular pot. Literati.....more

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明仇英修褉圖 卷

明仇英修褉圖 卷

。 &* Ch’iu Ying was a native of T’ai-ts’ang, kiangsu. Beginning his career as an artisan painter, he.....more

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唐吳道子寶積賓伽羅佛像 軸

唐吳道子寶積賓伽羅佛像 軸

the days of Ku K'ai-chih, he also introduced a technique of line drawing in which the same line could.....more

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唐李昭道曲江圖 軸

唐李昭道曲江圖 軸

as Granary Intendant of T'ai-yüan, and was later a member of the Chi-hsien Academy. He continued his.....more

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元曹善書山海經(四) 冊

元曹善書山海經(四) 冊

in carrying out affairs so he did not fare well in society. During the reign of Ming T'ai-tsu (r. 1368-1398.....more

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元俞和臨張養浩書忠祐廟碑 冊

元俞和臨張養浩書忠祐廟碑 冊

Tz'ai K'o-hung. In Yü Ho's copy of the stele, we see the influence of Ou-yang Hsün's style on Yüan.....more

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明錢穀石湖八景圖 冊

明錢穀石湖八景圖 冊

, the River Yüeh-lai, the Hsin-ch’un Bridge, the Chiao-t’ai Terrace, the Ku-teng Grove.....more

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