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清吳穀祥具區湧金圖　單片

。&* Wu Ku-hsiang, a native of Chekiang, was skilled at painting landscapes. His early works were detailed.....more

1156/1702

唐李昭道湖亭遊騎　軸

forms, such as the mountains and trees. They were then filled with hues of ochre, malachite.....more

1157/1702

六朝梁張僧繇雪山紅樹圖　軸

. However, many “Zhang Sengyou” works in the late Ming dynasty were landscapes in the “boneless” wash.....more

1158/1702

唐人春郊遊騎圖　軸

, polo club, lute, and wine. The tree leaves were done in outlines filled with colors, while.....more

1159/1702

宋錢選桃枝松鼠　卷

of the peaches and the leaves were done with strokes as thin as gossamer strands. Colors.....more

1160/1702

宋郭熙早春圖　軸

at landscapes and wintry forests, which were executed with complex formal.....more

1161/1702

五代南唐趙幹江行初雪圖　卷

, with some travelers wending their way along a path. The trees were all painted.....more

1162/1702

元吳鎮雙松圖　軸

Zhen along with Huang Gongwang, Ni Zan, and Wang Meng were known as the Four Yuan Masters. Against.....more

1163/1702

元黃公望富春山居圖　卷

. Finally, brush dots were distributed across the work as abstracted accents.....more

1164/1702

宋趙昌歲朝圖　軸

,” were meant to have dignified and balanced compositions, but lacked liveli.....more

1165/1702

元人青山白雲　卷

Fu and Mi Yu-jen. The leaves were delicately dabbed with varying densities of ink in a technique.....more

1166/1702

宋劉松年十八學士圖　卷

day 6 were present to discuss texts. Yen Li-pen (600-674) was commissioned to paint their portraits.....more

1167/1702

宋王詵瀛山圖　卷

was accomplished in many fields, even the game of go. As a painter, his landscapes were patterned after those.....more

1168/1702

五代後蜀丘文播文會圖　軸

. Since large tables and chairs were not used in antiquity, this type of small armrest was developed.....more

1169/1702

宋燕文貴秋山琳宇圖　軸

. In the Painting Academy, his paintings were called "Landscapes in Master Yen's style." This scroll depicts.....more

1170/1702

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