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清高鳳翰大富貴圖 軸

清高鳳翰大富貴圖 軸

painted this with his left hand, the style is still strong and free. He is thus ranked as one.....more

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明戴進風雨歸舟 軸

明戴進風雨歸舟 軸

brushwork, ranging from free and unbridled to moist and mature. Areas of the composition have been left.....more

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明史端木仿黃公望山水 軸

明史端木仿黃公望山水 軸

物和林木畫法似受沈周影響。 &* Shih Chung was originally named Hsü Tuan-pen. His style name was T’ing-chih.....more

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元明人詞翰 卷 王逢書五言古詩

元明人詞翰 卷 王逢書五言古詩

,寄語對象雖不得而知,然於詩句中知其友為華亭人氏。通幅草法狂放,老筆縱橫,當為晚年之作。&*Wang Feng (style name Yuan-chi, sobriquet Wu-hsi-tzu.....more

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明董其昌臨褚遂良蘭亭敘 冊

明董其昌臨褚遂良蘭亭敘 冊

time. This album was done in 1618. Tung began free-copying Ch'u Sui-liang's Preface to the Orchid.....more

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明董其昌雜書 冊 臨吳琚

明董其昌雜書 冊 臨吳琚

of Hua-t’ing, Kiangsu province. His style name was Hsüan-tsai and he was known by the sobriquet.....more

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花卉畫冊 冊 明朱完竹柏

花卉畫冊 冊 明朱完竹柏

為「明花卉畫冊」第十一開。 &*Bamboo and Cypress Chu Wan (1559-1617) Ming Dynasty Chu Wan (style name Chi-mei.....more

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宋李公麟百佛來朝 卷

宋李公麟百佛來朝 卷

麟之作。&*Li Kung-lin was a native of Shu-ch’eng, Anhei. His style name was Po-shih and his sobriquet.....more

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明謝時臣高人雅集圖 軸

明謝時臣高人雅集圖 軸

(1427-1509) style, with adaptations. He employed free, sweeping brushwork and preferred pale coloring.....more

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明陸治春山溪閣圖 軸

明陸治春山溪閣圖 軸

and green pigments. Lu Chih was a native of Soochow. His style name was Shu-p’ing and his sobriquet Pao.....more

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清王武倣元人溪亭對菊圖 軸

清王武倣元人溪亭對菊圖 軸

was excellent and completely free triteness, and his fame was great in his own time. Within his oeuvre, his.....more

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明唐寅採蓮圖 卷

明唐寅採蓮圖 卷

at calligraphy, painting, poetry, and writing. By nature, he was a free and unrestrained spirit. A famous.....more

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明董其昌論書 冊

明董其昌論書 冊

采理論,即收錄於此冊。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His style.....more

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明董其昌論畫 冊

明董其昌論畫 冊

) was a native of Hua-t'ing, Kiangsu province. His style name was Hsuan-tsai and he was known.....more

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明唐寅畫金閶別意 卷

明唐寅畫金閶別意 卷

. The brushwork is generally centered. Though quick and free, it is also solid and strong. The style.....more

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