符合的藏品

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名畫琳瑯　冊　宋梁楷潑墨仙人

outlines of his head and facial features, nearly all of the clothing was done with wet applications.....more

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brush wet with ink makes an impression and then is quickly lifted off the paper. Dot after dot.....more

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, writing third, and painting fourth. In his flower paintings, his brush force was unbridled and wet.....more

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and wet and dry creates an impression of a light, airy quality, much like the atmosphere of a summer.....more

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翩舞動。 &*Bamboo in the Wind Hsia Ch’ang (1388-1470) Ming Dynasty Both dry and wet ink have been used.....more

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dark to light and wet to dry. The composition is complex but not confused.....more

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. The brush is strong and mature, the ink tones wet and hoary, contrasting with the dry brush and meticulous.....more

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, the brushwork being quite free and easy. The branches and leaves, however, are done with a wet brush.....more

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. The texture-stroked hills feature wet brushwork to create broken washes that suggest brightness here.....more

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, sketched in with many wet brushstrokes. Dots of ink bring out the special flavor of the plum.....more

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. Fang had many painting styles, seemingly different with every work. The wet ink here.....more

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