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符合的藏品

元黃公望九珠峰翠圖 軸

元黃公望九珠峰翠圖 軸

the style of Tung Yüan (ca. 950) and Chü-jan (ca. 975), he was able.....more

211/220
宋人法書(三) 冊 宋陸游致仲躬侍郎尺牘

宋人法書(三) 冊 宋陸游致仲...

Affairs and Prefect of K'uei and Yen in Szechuan. He later served as Supervisor of Ch'ang-p'ing.....more

212/220
元方從義神嶽瓊林圖 軸

元方從義神嶽瓊林圖 軸

, though in the Tung Yüan and Chü-jan manner, differed from those of the Four Great Yü.....more

213/220
明仇英東林圖 卷

明仇英東林圖 卷

。凡此,俱見仇英的技法源頭,確實曾廣泛汲取南宋院畫特質,再予以衍生而成。畫約成於仇英三十九歲(西元一五四六)頃。&The Tung-lin (Western Grove.....more

214/220
宋人法書(一) 冊 宋歐陽脩致端明侍讀留臺執事尺牘

宋人法書(一) 冊 宋歐陽脩致...

]. " Ou-yang was a very traditional calligrapher, being deeply influenced by the styles of Yen Chen-ch.....more

215/220
元王蒙具區林屋 軸

元王蒙具區林屋 軸

Meng-fu. He followed the styles of Wang Wei, Tung Yüan, and Chü-jan and established one.....more

216/220
元王蒙具區林屋 軸

元王蒙具區林屋 軸

Meng-fu. He followed the styles of Wang Wei, Tung Yüan, and Chü-jan and established one.....more

217/220
五代南唐巨然秋山問道圖 軸

五代南唐巨然秋山問道圖 軸

。兩山交接處,多作長林雜樹,於莊嚴雄偉中,特饒山林煙靄之勝,是為其畫特色。 &*Ch'-jan was a native of the Kiangsu province and was a monk.....more

218/220
元王蒙谷口春耕圖 軸

元王蒙谷口春耕圖 軸

at the mouth of a valley below soaring peaks. The texture strokes follow after Tung Yüan and Chü.....more

219/220
明董其昌書輞川詩 冊

明董其昌書輞川詩 冊

隱居遊樂的心情,投射在作為隱逸典型的「輞川詩」中。&Tung Ch'i-ch'ang, a native of Shanghai, was a civil service.....more

220/220
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