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符合的藏品
共找到 193 筆符合的資料
明陳洪綬畫隱居十六觀 冊
隱居雅趣的畫前,題詩抒發感時傷暮的心境。這些清瘦、飄逸,像蘭葉一般的撇筆與捺筆畫,散發出細膩、優雅的氣質。(副葉之隱居十六觀自題)&*Ch'en Hung-shou was a “scholar.....more
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清陳字文房集錦 冊 佛手柑
,而蜥蜴之相,又極令人厭惡,畫家心思,真令人嘆服。 本幅為陳字「文房集錦」冊第十一開。&*Ch’en Tzu was the son of Ch’en Hung-shou. His original.....more
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名人畫扇貳冊 (上) 冊 清王武...
and can be considered masterpieces of flower painting.” Along with Yűn Shou-p’ing, he is one.....more
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宋元集繪 冊 無款仕女
and the modeling of their figures, however, seem to be in the style af the Ming painter Ch'en Hung-shou (1599-1652.....more
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清張宗蒼畫雲崖錦樹 軸
and Shou-chu. He excelled in landscape painting and was the student of Huang Ting (1660-1730) and Wan.....more
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宋林逋手札二帖 冊 逋奉簡三君
shifted to one side. This is the second leaf in the album Sung Lin P'u shou-cha. 本幅 31.5x38.2公分 類型.....more
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清王武花卉 冊 荷葉蓼花
him in the ‘marvelous’ category”. He and Yűn Shou-p’ing were deemed the best in the bird-and-flower.....more
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清王武畫花卉 冊 秋柳棲蟬
to another master of flower painting, Yűn Shou-p’ing (1633-1690). In this painting of flowers.....more
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清馬元馭畫花卉 冊 桑椹蠶蛾
and flowers. Early in life, he studied under Yün Shou-p’ing. Later he discussed the six principles.....more
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清張宗蒼畫雪景御題 軸
(卷八),第四冊,頁121&*故宮書畫圖錄,第十三冊,頁99-100&* 張宗蒼(西元一六八六至一七五六年),江蘇吳縣人。一字墨岑,號篁村,晚號瘦竹。乾隆十六年因獻畫而蒙錄為祇候,官至戶部主事。山水畫出.....more
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清宋駿業林亭煙岫 軸
level ground line gives, but nevertheless produces a certain liveliness. A native of Chang-shou.....more
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清馬元馭花卉 冊 牡丹
received the personal instruction of Yün Shou-p’ing and discussed the six principles of painting.....more
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宋林逋手札二帖 冊 逋奉簡三君
shifted to one side. This is the second leaf in the album Sung Lin P'u shou-cha. 本幅 31.5x38.2公分 類型.....more
- 75/193