清張宗蒼畫雲崖錦樹 軸
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- 資料識別：
- 故畫003757N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 張宗蒼
- 主題與關鍵字：
- 秋景 房舍 水榭 竹 松 瀑布 江河、湖海 高士（士人、隱士） 侍從（侍女、童僕） 溪澗、湍泉 石磴、棧道
- 出版者：
- 數位化執行單位:國立故宮博物院
- 格式：
- 本幅 182.2x133公分、全幅 162.5公分
- 關聯：
- 石渠寶笈三編（延春閣），第五冊，頁2416&*故宮書畫錄（卷八），第四冊，頁118&*故宮書畫圖錄，第十三冊，頁41-42&* 張宗蒼（西元一六八六－一七五六年），江蘇吳縣人，字默存、一字默岑，號篁村，晚號瘦竹。善山水，出黃鼎之門。乾隆辛未（一七五一）入都，祇候內廷，為王原祁再傳弟子。 此幅山石筆墨蒼莽，氣勢甚佳。先以濕筆淡墨鉤出輪廓，層層入深，然後以焦墨枯筆加以皴擦，仍是王司農法門。 御題再書，上幅山齊輪廓切去，以筆墨掩其割痕，故微覺重滯。 &*Cloudy Peaks and Elegant Trees Chang Tsung-ts’ang (1686-1756) Ch’ing Dynasty Chang Tsung-ts’ang was a native of Wu-hsien, Kiangsu. His style names were Mo-ts’un and Mo-ts’en. He was also known as Huang-ts’un and Shou-chu. He excelled in landscape painting and was the student of Huang Ting (1660-1730) and Wang Yüan-ch’i(1642-1715). In 1751 he was summoned to the capital to serve as a court artist. In this painting the artist’s use of brush and ink is rich and beautiful. Pale ink wash was first employed to lay out the composition of the mountains. Then a dry brush dipped in charcoal ink was used to stroke in the textures of the mountains. This painting method was often employed by Wang Yüan-ch’i. In inscribing the work, Emperor Ch’ien-lung (r.1736-1795) was displeased with his first inscription, so that the paper above the silhouette of the mountain was carefully removed and a second inscription written on a new sheet was attached. In order to conceal the join in the paper, the outline of the mountain was painted over the seam. Hence the outline appears somewhat heavy.
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
