搜尋:painting 在 繪畫 分類當中

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宋元集繪 冊 宋林椿寫生海棠

宋元集繪 冊 宋林椿寫生海棠

) as a Painting-in–attendance at court, he specialized in painting flowers-and-grasses, birds-and-animals.....more

61/1951
淮南大布衣九牧圖 卷

淮南大布衣九牧圖 卷

is known of the painter Huai-nan ta-pu-i. The painting depicts oxen playing in a forest grove. Cowherds.....more

62/1951
元張舜咨畫樹石 軸

元張舜咨畫樹石 軸

name was Chung-k'uei; his sobriquet was Li-li-tzu. He excelled in painting landscapes, trees, and rocks.....more

63/1951
明劉廣畫端陽景 軸

明劉廣畫端陽景 軸

, and his landscapes are particularly elegant. This painting depicts four types of plants associated.....more

64/1951
清鄒一桂畫花卉 軸

清鄒一桂畫花卉 軸

moderate style that still retained much elegance. He also excelled at painting theory, being the author.....more

65/1951
名繪集珍 冊 宋賈師古巖關古寺

名繪集珍 冊 宋賈師古巖關古寺

〉,《元代皇室書畫收藏史略》(台北:國立故宮博物院,1981),頁93-99。 註4:翁同文,〈圖繪寶鑑竄改舊文致誤舉例〉,《藝林叢考》(台北:聯經出版事業公司,1977),頁61。 註5:同註4。 註6.....more

66/1951
明文徵明沈周唐寅仇英便面合裝冊 冊 明唐寅萬山秋色

明文徵明沈周唐寅仇英便面合裝冊...

to be an official and devoted himself to poetry, painting, and calligraphy. Depicted in this album.....more

67/1951
明人畫扇(元) 冊 明唐寅百畝家田

明人畫扇(元) 冊 明唐寅百畝...

. Beside the dwelling stretch the hundred acres of fertile fields. The painting is rapidly sketched.....more

68/1951
清郎世寧十駿犬茹黃豹 軸

清郎世寧十駿犬茹黃豹 軸

and studied oil painting and architecture. In 1715, at 27 years of age, he was sent.....more

69/1951
清宋駿業林亭煙岫 軸

清宋駿業林亭煙岫 軸

at painting and calligraphy and was found of painting landscapes. Commissioned to produce.....more

70/1951
清陳年紅梅 軸

清陳年紅梅 軸

” of painting and the guidelines to seal carving. Chen excelled at painting, being most famous for his flowers.....more

71/1951
唐戴嵩鬥牛圖 卷

唐戴嵩鬥牛圖 卷

勁足以力仆萬人之慨。從其畫風觀之,此作或屬明中期以前輾轉流傳的摹本。 &*Tai Sung began his studies of painting under the artist Han.....more

72/1951
宋馬遠松間吟月 軸

宋馬遠松間吟月 軸

, brother Ma K’uei, and son Ma Lin all excelled in painting, and they became famous as a family.....more

73/1951
明唐寅雙松飛瀑圖 軸

明唐寅雙松飛瀑圖 軸

career and devoted himself to poetry, painting and calligraphy. As he wrote in the preface to his book.....more

74/1951
明戴進牧牛圖 軸

明戴進牧牛圖 軸

風傾偃,益覺沁涼滿紙;牧童手持喜鶴反向而坐,與右行之水牛適成一均衡態勢,凡此俱見畫家營構之巧思。&* Tai Chin developed his landscape painting.....more

75/1951
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