搜尋:no a wu 在 繪畫 分類當中

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宋元寶翰 冊 元白玉蟾書四言詩

宋元寶翰 冊 元白玉蟾書四言詩

ü-chan. A recluse at Mt. Wu-i, miraculous events were associated with him, so he was called.....more

571/688
歷朝畫幅集冊 冊 宋周位淵明逸致

歷朝畫幅集冊 冊 宋周位淵明逸...

in painting. Early in the Hung-wu reign (1368-1398), he was summoned to court and he did landscape.....more

572/688
明吳彬畫楞嚴廿五圓通佛像 冊

明吳彬畫楞嚴廿五圓通佛像 冊

。冊中人物多胡貌梵相,意態毫髮,敷色明豔古雅,筆墨亦蘊藉而富變化,取景及樹石造形,均著意誇大變形,古拙而有奇趣。 &* Wu pin, style name wen-chung.....more

573/688
元趙孟頫書蘇軾西湖詩 卷

元趙孟頫書蘇軾西湖詩 卷

) was a native of Hu-chou (Wu-hsing, Chekiang). A scion of the Sung imperial family, he served in Chen.....more

574/688
宋四家真蹟 冊 宋米芾書論書

宋四家真蹟 冊 宋米芾書論書

. In office, he served in the posts of Editor and Administrative Clerk of the Wu-wei Command in Anhwei.....more

575/688
明人畫扇面 (乙) 冊 明人月下吹笛

明人畫扇面 (乙) 冊 明人月下...

moved to Wu County. He studied painting with Chou Ch’en, and was skilled in imitating the works.....more

576/688
清陳字文房集錦 冊 戲嬰圖

清陳字文房集錦 冊 戲嬰圖

, nickname Lu-t’ou, style names Wu-ming and Ming-ju, and sobriquet Hsiao-lien) was the son of the famous.....more

577/688
清徐揚繪鵝子圖御題 軸

清徐揚繪鵝子圖御題 軸

; Yang, whose sobriquet was Yün-t’ing, was a native of Wu-hsien, Kiangsu. He excelled at depicting.....more

578/688
元顧安倪瓚合作古木竹石 軸

元顧安倪瓚合作古木竹石 軸

brushstrokes. Ni Tsan was a native of Wu-hsi, Kiangsu province. His style name was Yuan-chen and his sobriquet.....more

579/688
六朝梁張僧繇雪山紅樹圖 軸

六朝梁張僧繇雪山紅樹圖 軸

. Emperor Wu of the Liang was an ardent believer in Buddhism and commissioned him to execute wall.....more

580/688
元趙孟頫窠木竹石 軸

元趙孟頫窠木竹石 軸

瓚跋中。&*Chao Meng-fu, a member of the Sung Imperial family, resided in Wu-hsing, Chekiang. His style.....more

581/688
元倪瓚容膝齋圖 軸

元倪瓚容膝齋圖 軸

of Wu-hsi, Kiangsu. Son of a wealthy merchant, he was a bibliophile, collector, amateur poet.....more

582/688
元倪瓚江岸望山圖 軸

元倪瓚江岸望山圖 軸

Tsan, style name Yüan Chen, sobriquet Yün-lin, was a native of Wu.....more

583/688
元倪瓚松林亭子 軸

元倪瓚松林亭子 軸

作稍異。&*Ni Tsan was a native of Wu-hsi, Kiangsu. One of his sobriquets was Yün-lin, and he.....more

584/688
宋人松泉磐石 軸

宋人松泉磐石 軸

in Wu Yüan-chih's Red Cliff and the use of ink wash resembles that in Li Shan's W.....more

585/688

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