搜尋:later work 在 繪畫 分類當中

符合的藏品

宋馬和之柳溪春舫圖 軸

宋馬和之柳溪春舫圖 軸

, waves, and willows emit an aura of spring. Though this work has a “Hezhi” signature, the lines.....more

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元高翼書通書 冊

元高翼書通書 冊

philosopher Zhou Dunyi (1017-1073). Calligraphed later in 1337, Gao Yi’s characters are even.....more

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元倪瓚溪亭山色圖 軸

元倪瓚溪亭山色圖 軸

from Ni Tsan’s. Thus, this is probably a later work after Ni Tsan’s style. Ni Tsan excelled.....more

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宋人拜月圖 軸

宋人拜月圖 軸

、刊本插圖也日亦常見。品名雖是宋人,然由構圖及樹木、岩石之畫法看來,應是十六世紀晚明時期的畫作。&*This work bears no seal or signature of the artist.....more

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元人雜書 卷 楊載書水龍吟

元人雜書 卷 楊載書水龍吟

,結體略長,然仍見趙字影響。&*Yang Tsai was a native of P'u-ch'eng, Fukien, but he later moved to Hangchow. He lost.....more

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清錢維城畫梅茶水仙 軸

清錢維城畫梅茶水仙 軸

, learned to paint flowers as a youth from his grandmother Ch'en Shu (1660-1736). He later came to focus.....more

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清沈荃書伊川四箴 軸

清沈荃書伊川四箴 軸

and calligraphy. Shen at first studied the style of Dong Qichang, but in later years was greatly.....more

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披薰集古 冊 明文徵明山水

披薰集古 冊 明文徵明山水

;n-sheng and Heng-shan chü-shih. He later used “Cheng-ming” as his personal name. Excelling.....more

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明呂紀雪岸雙鴻 軸

明呂紀雪岸雙鴻 軸

, though this work bears a Lü Ji signature, it seems to be a slightly later imitation following.....more

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清冷枚耕織圖 冊 攀花

清冷枚耕織圖 冊 攀花

in the country. Later, emperors adapted the contents or had them copied and painted as a way to remind them.....more

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明曹有光孫杕畫冊 冊 野卉秋蟲

明曹有光孫杕畫冊 冊 野卉秋蟲

畫,加上落筆快捷銳利,而且顏色鮮豔,所以整件作品,能在華麗當中,散發出繽紛的視覺美感。 &* Ts’ao Yu-kuang, originally a native of Soochow, later.....more

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明倪元璐書把酒漫成七律 軸

明倪元璐書把酒漫成七律 軸

of an authentic work, it was still of certain value, which is why Lo later presented it to Tai.....more

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清康有為行書四屏 軸

清康有為行書四屏 軸

first copied the Yueyi Discussion and the works of Ouyang Xun and Zhao Mengfu, later studying those.....more

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元趙孟頫書晝錦堂記 軸

元趙孟頫書晝錦堂記 軸

advocated returning to ancient styles, and he deeply influenced later generations. There are three distinct.....more

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明徐賁蜀山圖 軸

明徐賁蜀山圖 軸

who later moved to Soochow. He rose to become Provincial Governor of Honan in 1369. Excelling.....more

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