搜尋：kuan chang 在繪畫分類當中

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唐范瓊畫大悲觀音像　軸

男相觀音不同，反而和明代的觀音較為接近，所以推測它可能是一件明代的畫作。&*Kuan-yin appears here wearing a jeweled crown, in which is set.....more

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, Chang Dai-chien. In this painting done in outlines of monochrome ink, the Kuan-yin Bodhisattva stands.....more

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樊籠。筆墨雅秀，設色清淡。東坡放鶴亭記云：山人張君有二鶴，甚馴而善飛，旦則放焉縱其所如，暮則歸。可與此圖合觀。 &* Kuan Ssu, a native of Wu-ch’eng, Chekiang.....more

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-i-kuan section of the place. He worked with Giuseppe Castiglione, Jean-Denis Attiret and others.....more

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(outline) manner shows a sixteen-armed Kuan-yin sitting cross-legged on a lotus pedestal.....more

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，以丹朱青綠為主色，並用白粉烘雲點樹，故覺奇彩艷發，神氣飛揚，全幅散發著一種古厚沉鬱的氣氛。然其風格筆觸則似出於明末藍瑛一門之手。&*Chang Seng-yu was a native of Wu.....more

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. Outside the fence are Liu Pei, Kuan Yü, and Chang Fei on horseback with attendants. The spears.....more

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andscroll in the National Palace Museum, of which this is one. This scroll was painted by Chou Kun, Chang.....more

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. This is a cooperative work of the Ch’ien-lung period court artists T’ang Tai, Sun Hu, and Ting Kuan-p’eng (fl.....more

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，山石以側鋒皴染，人物被框圍於其間，衣紋描法勁健流利，樹葉則簡化為濃淡有致的苔點墨痕，用筆豪放恣肆，不拘細節。&*Chang Liang Receiving the Text Li Tsai.....more

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and landscape painting, his fame surpassed that of his teacher, Chang Tun-li. Though unsigned.....more

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（1995年7月），頁54-55。 &*Lu Yu (style name Wu-kuan; sobriquet Fang-weng) was a native of Shan-yin, Chekiang.....more

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be best seen in his semi-cursive scripts. The T'ang critic Chang Huai-kuan wrote of his work, it has.....more

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