搜尋:i wang 在 繪畫 分類當中

符合的藏品

清王原祁仿黃公望山水 軸

清王原祁仿黃公望山水 軸

is small, it is extremely fine. Wang Yüan-ch’i’s simple yet beautiful use of the brush surpasses.....more

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清王原祁畫松壑流泉 軸

清王原祁畫松壑流泉 軸

。&*The experienced use of the brush suggests that this painting was done during Wang Yüan-ch’i’s late.....more

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明侯懋功倣元人筆意 軸

明侯懋功倣元人筆意 軸

was I-men. He studied landscape painting from Ch’ien Ku (1508-1578) and was in turn influenced by .....more

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清赫奕煙江漁艇 軸

清赫奕煙江漁艇 軸

。&* The exact birth and death dates of Ho I (sobriquet Tan-shih) are unknown, though he is known to have been.....more

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清王原祁春雲出岫 軸

清王原祁春雲出岫 軸

春景 雲 松 房舍 橋 茅草屋 桃花 瀑布 山徑 溪澗、湍泉 水榭 國立故宮博物院 故宮書畫錄(卷五),第三冊,頁539&*Wang Yüan-ch'i was grandson.....more

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清王時翼畫岳陽大觀 軸

清王時翼畫岳陽大觀 軸

:「陰風怒號,濁浪排空,日星隱耀,山岳潛形,商旅不行,牆傾楫摧。」此圖以生動巧妙的手法,重現了文字所描述的景象,令觀者有如身歷其境。 &* Wang Shih-i was the cousin.....more

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清王學浩山水畫冊 冊

清王學浩山水畫冊 冊

the landscape painting of Wang Yüan-ch’i and then further explored the styles of Sung and Y.....more

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清王鑑倣趙孟頫茂林蕭寺圖 軸

清王鑑倣趙孟頫茂林蕭寺圖 軸

, including Wang Chien, were influenced by the late-Ming theories of Tung Ch’i-ch’ang, who venerated.....more

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清王原祁華山秋色 軸

清王原祁華山秋色 軸

二歲以後畫。&*Wang Yuan-ch'i was a native of T'ai-ts'ang, Kiangsu. A grandson of Wang Shih-min (1592-1680.....more

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清王原祁倣黃公望秋山圖 軸

清王原祁倣黃公望秋山圖 軸

i, a native of Kiangsu province, was the grandson of the painter Wang Shih-min. He served as Vice.....more

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清王原祁倣王蒙山水 軸

清王原祁倣王蒙山水 軸

,使虛實相間,故厚重輕靈,白黑相對,轉而愈妙。山用側筆叠皴,偶用澹墨濕筆以醒枯濃。畫松畫竹,筆極老辣,如鈍刀刮鏽,窒澀中有真力在,五十八歲畫。&* Wang Yűan-ch’i (1642-1715.....more

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清王原祁仿黃公望筆意 軸

清王原祁仿黃公望筆意 軸

Yűan-ch’i’s use of brush and ink is quite skilful. In this scroll Wang Yűan-ch’i was extremely.....more

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明董其昌臨鍾王帖 冊

明董其昌臨鍾王帖 冊

國立故宮博物院 石渠寶笈續編(養心殿),第二冊,頁1070-1072&*故宮書畫錄(卷三),第一冊,頁97-99&*故宮歷代法書全集,第二十四冊,頁14-27、142-143&*董其昌(西元一五五五.....more

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明顧正誼山水 軸

明顧正誼山水 軸

,思白從予指授,已自出藍,畫此質之,品評當不爽也。觀此則知董其昌嘗從學畫,足以補畫史之不足。細與董畫相較,亦多水乳交融之處,然而出藍之譽,非謙詞矣。 &* Ku Cheng-i.....more

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清張宗蒼江潮圖 軸

清張宗蒼江潮圖 軸

-1730), who was a disciple of Wang Yüan-ch’i(1642-1715). In 1751, he was summoned to the capital.....more

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