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符合的藏品

清鄒一桂畫藤花 軸

清鄒一桂畫藤花 軸

屬宮廷應制而畫,作畫態度,循規蹈矩,不敢稍意逾越,因此,用筆工細,著色穠艷,特別具有一種精美富麗的氣息。 &* Tsou I-kuei was style-named Yüan-pao.....more

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清董邦達仿倪瓚?林含秀 軸

清董邦達仿倪瓚?林含秀 軸

and painting and in his landscape paintings he was a follower of Wang Yüan-ch’i. He excelled at using.....more

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清鄒一桂歲朝圖 軸

清鄒一桂歲朝圖 軸

品多為應制之作,循規蹈矩,故用筆工整,著色穠艷。此畫長青盆松,玉磬,寓意萬年吉慶。尚有梅瓶及四蟹緣瓶而升,諧音「四海昇平」之意。&* Tsou I-kuei was a native of Wu.....more

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清程志道眉香萬年 冊

清程志道眉香萬年 冊

to the same school as Wang Yüan-ch’i, but in actuality Wang Hui had very deep influence on him. His.....more

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藝林清賞 冊 清瑛寶畫荷

藝林清賞 冊 清瑛寶畫荷

, he gained great fame. He also claimed that he was the first finger-painter after Kao Ch’i-p’ei.....more

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藝林清賞 冊 清朱璨英畫杏花

藝林清賞 冊 清朱璨英畫杏花

scene. There is a short inscription on the painting which reads, “In 1822 I have painted the poetic.....more

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明董其昌書千文 冊

明董其昌書千文 冊

氏時年五十七歲,自福建副使辭官已年餘,潛心藝事,書畫有成,「吾書因生而得秀色」一語即此期之自評。本冊參合智永虞顏之筆法字勢,蘊含自有之清朗疏秀風神,是董氏中期傑出之作。&*Tung Ch'i-ch.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

藏此帖關中本,刻入戲鴻堂帖中,並於晚年一臨再臨,其臨本僅本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636.....more

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明董其昌臨爭坐位帖 冊

明董其昌臨爭坐位帖 冊

本院收藏即已有三本,其書風正如董氏所謂:「於鬱屈瑰奇之中,自具柔情卓綽約態。」&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing.....more

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明董其昌書杜詩 冊

明董其昌書杜詩 冊

收斂。縱橫收放間,智永歐虞之風依稀可見。&*Tung Ch'i-ch'ang (1555-1636) was a native of Hua-t'ing, Kiangsu province. His.....more

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宋人法書(一) 冊 宋歐陽脩致端明侍讀留臺執事尺牘

宋人法書(一) 冊 宋歐陽脩致...

style name was Yung-shu, sobriquets were Tsui-weng and Liu-I chu-shih, and posthumous title was Wen.....more

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宋元寶翰 冊 宋趙孟堅致嚴郎中太丞尺牘

宋元寶翰 冊 宋趙孟堅致嚴郎中...

-chien (style name Tzu-ku; sobriquet I-chai chu-shih) was a native of Wu-hsing, Chekiang. He.....more

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清吳昌碩芍藥 軸

清吳昌碩芍藥 軸

i Pai-shih as “Ch’i of the North and Wu of the South” In the painting here, Wu has depicted peonies.....more

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唐閻立本畫蕭翼賺蘭亭圖 卷

唐閻立本畫蕭翼賺蘭亭圖 卷

本所畫,尚有疑問。 &*This painting illustrates the story of Hsiao I, an official under Emperor T'ai-tsung (r.....more

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宋燕文貴秋山琳宇圖 軸

宋燕文貴秋山琳宇圖 軸

'aifeng, where he was a merchant. Later, he became a talented artist and received the favor of Kao I.....more

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