搜尋:form 在 繪畫 分類當中

符合的藏品

清錢維城畫洋菊 軸

清錢維城畫洋菊 軸

of chrysanthemums beautiful and luxuriant in all manners of form. The brushwork is fine and even.....more

136/192
清王翬倣巨然夏山圖 軸

清王翬倣巨然夏山圖 軸

gather and dissipate, expressing the pattern of the mountains and grasping the form of the “hemp.....more

137/192
清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

and concrete elements together form a forceful composition. &*疊嶂層山。構景繁而不亂。分流曲澗。布局細而不碎。蓋丘陵野水。雖平衍錯雜。而壓頂一山。延綿.....more

138/192
宋四家墨寶 冊 宋蘇軾書次韻秦太虛見戲耳聾詩 

宋四家墨寶 冊 宋蘇軾書次韻秦...

and prepared, while also overflowing in form, which is why Huang Tingjian praised him as the best.....more

139/192
宋四家集冊 冊 宋蘇軾書跋語 

宋四家集冊 冊 宋蘇軾書跋語 

develop, rather than stick to, a certain style, This is leaf one form Album of the Four Great Sung.....more

140/192
清鄒一桂畫藤花芍藥 軸

清鄒一桂畫藤花芍藥 軸

is nonetheless elegant in form and brilliant in color. This painting of wisteria and peonies here.....more

141/192
清沈荃倣顏真卿告身帖 軸

清沈荃倣顏真卿告身帖 軸

Zhenqing’s style but also is much influenced by Dong’s. Though criticized for capturing the form.....more

142/192
清沈全墨牡丹 軸

清沈全墨牡丹 軸

black-lacquered stool with gold trim is a typical form of Qing dynasty court furniture. It has a high.....more

143/192
明董其昌臨十七帖 卷

明董其昌臨十七帖 卷

into sharp ones. There are also some inconsistencies in the form of the characters, but they are not too far.....more

144/192
明董其昌臨褚遂良蘭亭敘 冊

明董其昌臨褚遂良蘭亭敘 冊

, believing that spirit was more important than form. Thus, the line spacing here differs from.....more

145/192
宋緙絲青牛老子圖 軸

宋緙絲青牛老子圖 軸

and artistic form of traditional craftwork in China. In this hanging scroll is Lao-tzu, originally named.....more

146/192
明董其昌倣宋元人縮本畫及跋 冊 倣黃公望臨董源夏山圖

明董其昌倣宋元人縮本畫及跋 冊...

and winding path are traces of human activity in the form of travelers. In this landscape on silk done.....more

147/192
五代南唐顧閎中鍾馗出獵圖 卷

五代南唐顧閎中鍾馗出獵圖 卷

. The figures form a line through the handscroll, and the composition is a traditional and archaic one.....more

148/192
清陳字文房集錦 冊 戲嬰圖

清陳字文房集錦 冊 戲嬰圖

boy holding a stick from which is suspended on string a puppet in the form of Chung K’uei. As far back.....more

149/192
清吳昌碩梅花 軸

清吳昌碩梅花 軸

calligraphers to form his own style. He studied seal carving from various masters in Chekiang and Anhwei.....more

150/192
上一頁
第 10 頁
共 13 頁
下一頁

form 在 繪畫 分類當中 的相關搜尋