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明陳洪綬畫隱居十六觀　冊

, it has an equally individual appearance which Ch’ing dynasty (1644-1911) critics called “unique.....more

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國立故宮博物院石渠寶笈初編（御書房），下冊，頁1093&*故宮書畫錄（卷二），第一冊，頁8-9&*宣宗（西元一三九九－一四三五年，一四二六－三五在位）名瞻基。他對於繪畫的愛好與成就，一般認為僅次於.....more

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heavy and thick. Previous critics of his work have noted that his use of ink gives an impression.....more

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. Critics through the ages generally regard this as a late work of Chu Suiliang. Recent scholars refer.....more

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