符合的藏品

共找到 11 筆符合的資料

元趙奕畫大士像　軸

上，躬身作揖，狀甚禮敬。此係出自﹝華嚴經﹞善財童子五十三參之一，善財參訪觀音，向其問道的情景。&*Chao I, style name Chung-Kuang, was a native of Wu.....more

1/11

，觀此畫例，足證元明以降，山水畫已蔚成國畫作之主導。 Cheng Chung, a native of Hsi Hsien, Anhwei Province, was also called.....more

2/11

坐樹下，皆張口談說。筆墨雅淡，描寫傳神。梅枝山石，用筆方整，是崔特色。 &*Ts’ui Tzu-chung was a native of Peiking. His style names were.....more

3/11

極少，至明則時見其作品流傳之記載，而以蕃馬題材居多。元柯九思推許陳氏之作，不亞於宣和蕃馬名家黃宗道。圉人牽棗騮，骨相俊偉，豐臆圓脽，步穩慢，雄壯而安祥。&*Ch'en Chü-chung.....more

4/11

, later took Cheng-ming as his name and adopted the tzu Cheng-chung and hao Heng-shan) was a native.....more

5/11

name Sheng-yu and sobriquet Ts'ui-ten) was a native of Huai-yin, Kiangsu. At the end of the Sung.....more

6/11

by his tzu. Yet another tzu was Cheng-chung; his hao (sobriquets) were T’ing-yün-sheng and Heng.....more

7/11

(style names Chung-lang and Ching-hsuan) served as Senior Scribe in Hsuan-chou. He enjoyed writing.....more

8/11

（2004年秋），頁99-143。 &*　　吳彬（活動於西元一五六八至一六二七年），字文仲，福建莆田人，流居金陵（今南京）。能書善畫，畫山水、佛像、人物皆能自立門戶，造形奇異迥別於前人。山水布置亦新奇而不摹古.....more

9/11

(style name; Wen-chung) was a native of P’u-t’ien, Fukien, but later moved to Chin-ling (modern Nanking.....more

10/11

。冊中人物多胡貌梵相，意態毫髮，敷色明豔古雅，筆墨亦蘊藉而富變化，取景及樹石造形，均著意誇大變形，古拙而有奇趣。 &* Wu pin, style name wen-chung.....more

11/11