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符合的藏品
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清金廷標長至添線圖 軸
立竿在地面，用線來測量日影，日影當然最長，比較其他日子來說自有添線的必要。另外，從冬至後，白日漸長，婦女從事女紅的時間也增加，因此便有添線之說，以為象徵。 &* Chin T’ing-piao.....more
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清金廷標松陰牧馬 軸
-ch’en, Chin T’ing-piao (style name Shih-k’uei) was a skilled painter of figure and floral subjects.....more
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明宋懋晉碧梧降暑 軸
梧陰森，一人坐山房小憩，狀甚悠閒，柳岸蘆葦茂盛，葉莖傾斜，似有習習涼風吹入圍牆人家。 &* Sung Mou-chin (style name Ming-chih) was a native.....more
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明郭詡東山攜妓圖 軸
belonged to a convivial group of artists that included Wu Wei, Tu Chin and Shen Chou. In the Hung-chih.....more
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宋賢書翰 冊 宋蔡襄致彥猷尺牘
，宋四大家中，蔡襄學顏最神形俱似，但是氣骨稍嫌不足。 本幅為「宋賢書翰」冊一。&*Ts'ai Hsiang was a native of Fukien and a chin-shih degree.....more
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明花卉畫冊 冊 明金俊明梅花
面畫於六十五歲時，老幹虬枝，素花如雪，全得梅花疏傲之致。 &* Chin Chün-ming (original name Chin Kun, tzu Chiu-chang; later.....more
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明文徵明花卉 冊 南國聯芬
”, which was done in 1533 when he accepted an invitation to Hsü Chin's home on West Mountain.....more
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清黃鉞繪節卉迎薰 軸
., tzu Tso-t’ien, Tso-chün) was a native of Huang-tu, Anhui. He received the chin-shih in 1791 A. D.....more
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