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清王原祁仿倪瓚山水 軸

清王原祁仿倪瓚山水 軸

實別有沙彌(吳鎮)蹤跡。故雅韻之中,饒沉酣意趣,為七十一歲時作。 &* Wang Yűan-ch’i (style name; Mao-ching, sobriquet; Lu-t’ai.....more

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明董其昌倣張僧繇白雲紅樹 卷

明董其昌倣張僧繇白雲紅樹 卷

、硃砂、汁綠和赭墨交相點畫,筆觸輕盈爽朗,施色鮮麗而不傷雅秀。幅末自題云:「張僧繇沒骨山,余每每倣之,然獨以此卷為愜意,蓋緣神怡務閒時所作耳。」其自許如此。 &* Tung Ch'i-ch'ang.....more

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清鄒一桂?宋苑畫榴下雄雞圖 軸

清鄒一桂?宋苑畫榴下雄雞圖 軸

. From Wu-hsi in Kiangsu, Tsou I-kuei used the style name Yüan-pao and the sobriquets Hsiao-shan.....more

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清張宗蒼江潮圖 軸

清張宗蒼江潮圖 軸

captures the unrestrained, elegant, and expansive style of Wang Yüan-ch’i. 本幅 166.7x69.5公分、全幅 96公分.....more

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清弘?畫村舍怡豐 卷

清弘?畫村舍怡豐 卷

of the Manchu imperial clan. His style names were Shu-chai and Tsui-yu; his sobriquet was I-ju ch.....more

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清王敬銘爐峰山萬疊圖 卷

清王敬銘爐峰山萬疊圖 卷

散佈村落人家。用披麻皴法,筆法純熟,構圖起伏有致,傳承王原祁之畫風。 &* Wang Ching-ming, style name Tan-ssu, was a native of Chia-ting.....more

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清焦秉貞山水 冊 桐蔭清閣

清焦秉貞山水 冊 桐蔭清閣

in the Directorate of Astronomy and learned Western techniques of painting. Shown here is Ch’ing-style.....more

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明沈周化鬚疏 卷

明沈周化鬚疏 卷

著,此是明代一時風氣,他的弟子文徵明繼承其法,加以腴潤,另謀新貌。(何傳馨) Shen Chou (style name Ch'i-nan, sobriquets Shih-t'ien and Pai.....more

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民國臺靜農丈二行書鮑明遠飛白書勢 軸

民國臺靜農丈二行書鮑明遠飛白書...

是字的本身,而是年過八十,腕力還能用,陸放翁云:『老子尚堪絕大漠』,不妨以之解嘲。」本件為臺靜農先生遺贈。&* T’ai Ching-nung (style name Po-chien.....more

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民國臺靜農草書故國神遊 橫披

民國臺靜農草書故國神遊 橫披

style characteristic of that of the elderly T'ai. This work was donated by T'ai I-chien. 本幅 50.3x68.7公分.....more

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名畫琳瑯 冊 元黃公望雨巖仙觀

名畫琳瑯 冊 元黃公望雨巖仙觀

居圖成另一面目,或即「皴紋極少,筆尤簡遠」之類歟。本幅選自「名畫琳瑯」冊。&*Huang Kung-wang was a native of Fu-yang. His style name.....more

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清惲壽平摹古 冊 牡丹

清惲壽平摹古 冊 牡丹

of P'i-ling.” Considered the equal of the “Four Wangs,” he is one of the “Ssu Wang Wu Yün.....more

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明周臣畫閒看兒童捉柳花句意 軸

明周臣畫閒看兒童捉柳花句意 軸

trying to catch willow flowers in the spring breeze. The theme derives from Po Chu-i's.....more

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清鄒一桂畫藤花芍藥 軸

清鄒一桂畫藤花芍藥 軸

色雅艷。此畫紫藤芍藥,精工妍麗,不失本家面目。 &* Tsou I-Kuei (style name Yüan-pao and sobriquets Hsiao-shan, Jang-ch.....more

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清沈荃書桃李園序 軸

清沈荃書桃李園序 軸

style becoming emulated at the time. Though his calligraphy was patterned after that of Tung Ch'i-ch.....more

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