明董其昌倣張僧繇白雲紅樹 卷
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- 資料識別：
- 故畫001082N000000000
- 資料類型：
- 類型:繪畫
- 型式:靜態圖像
- 著作者：
- 董其昌
- 主題與關鍵字：
- 楓樹．槭樹 雲 寒林．枯樹 茅草屋 橋 楊柳 溪澗、湍泉 江河、湖海 秋景
- 出版者：
- 數位化執行單位:國立故宮博物院
- 日期：
- 明思宗崇禎元年（1628）
- 格式：
- 本幅 31.7x179.8公分、隔水一 14.5公分、隔水二 14.4公分、拖尾 31.8x125.3公分、裱綾 10公分
- 關聯：
- 故宮書畫錄（卷四），第二冊，頁239&*故宮書畫圖錄，第十九冊，頁425-428&* 董其昌（西元一五五五－一六三六年），字玄宰，號思白，華亭（江蘇松江）人。萬曆十六年進士，官至禮部尚書，善書畫，山水筆墨爽朗，瀟灑自具風格。 此幅青綠設色。紅樹青山，白雲靄靄，一片秋光，明媚清麗。畫中點葉用赭色、胭脂、硃砂、汁綠和赭墨交相點畫，筆觸輕盈爽朗，施色鮮麗而不傷雅秀。幅末自題云：「張僧繇沒骨山，余每每倣之，然獨以此卷為愜意，蓋緣神怡務閒時所作耳。」其自許如此。 &* Tung Ch'i-ch'ang, a native of Hua-t’ing (present-day Sungkiang, Kiangsu), was a masterful painter and calligrapher. Style name Hsüan-tsai, sobriquet Ssu-pai, he became a Metropolitan Graduate (chin-shih) in 1588 and eventually served as a minister of Rites. His painting style was bold and original, and the brushwork in his landscapes fresh and refined. This radiantly beautiful autumn scene-red trees, green mountains, and folds of white clouds-is done in mineral green and colors. The leaves are painted with burnt umber, rouge, vermilion, and translucent green interspersed with ochre ink. The brushwork is light and fresh; the coloring, bright yet elegant. The artist’s colophon at the end of the painting reads: “I have copied Chang Seng-yu’s ‘boneless’ mountains many times, but this work, which I did when I was relaxed and at ease, is the only one with which I am satisfied.”
- 管理權：
- 國立故宮博物院
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- 國立故宮博物院圖像授權、出版授權、影音資料授權-申請流程說明
http://www.npm.gov.tw/zh-TW/Article.aspx?sNo=03003061
