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符合的藏品

清王翬畫石磴林泉 軸

清王翬畫石磴林泉 軸

) Keng-yen san-jen, Wu-mu shan-jen and Chien-men ch’iao-k’o, was a native of Ch’ang-shu in Kiangsu.....more

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明張宏應真觀梅圖 軸

明張宏應真觀梅圖 軸

and pleasures. This is a depiction of Su Tung-p’o’s statement: “Aren’t the mountain colors the clean.....more

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清張鵬翀春山出雲 軸

清張鵬翀春山出雲 軸

, with the flavor and essence of Su Tung-p’o of the Sung Dynasty. It is an excellent work, completed.....more

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清王時敏松巖靜樂圖 軸

清王時敏松巖靜樂圖 軸

and his hao (sobriquet) Yen-k’o; he often signed his works with Hsi-lu lao-jen, Hsi-t’ien chu-jen.....more

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清徐呈祥星額駿圖 軸

清徐呈祥星額駿圖 軸

was one presented by Chi-ling-o, the Head Guard of the Ch’ien-ch’ing Palace, in 1823. It was a court.....more

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明董其昌臨鍾王帖 冊

明董其昌臨鍾王帖 冊

國立故宮博物院 石渠寶笈續編(養心殿),第二冊,頁1070-1072&*故宮書畫錄(卷三),第一冊,頁97-99&*故宮歷代法書全集,第二十四冊,頁14-27、142-143&*董其昌(西元一五五五.....more

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無量壽佛會慶圖 冊 海洞潮音

無量壽佛會慶圖 冊 海洞潮音

-t’o), Chekiang, and is said to be where Kuan-yin is often sighted. Among the waves, the South Se.....more

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宋蘇軾尺牘 軸

宋蘇軾尺牘 軸

as Tzu-chan and Tung-p'o chü-shih. He passed the chin-shih examination in the Chia-yu era(1056.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

、米友仁以點為主的平淡風格,但本畫氣勢雄渾的大山,則已融入北宋巨障山水,畫法也多採直接的素描,可見他對既有典範規矩的開放態度。&*Kao K'o-kung, of Uighur descent from.....more

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元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

、米友仁以點為主的平淡風格,但本畫氣勢雄渾的大山,則已融入北宋巨障山水,畫法也多採直接的素描,可見他對既有典範規矩的開放態度。&*Kao K'o-kung, of Uighur descent from.....more

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宋劉松年畫羅漢 軸

宋劉松年畫羅漢 軸

the Shao-hsi period (1190-1195). He lived outside the Ch'ing-p'o Gate so people called him.....more

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清張廷彥畫平定烏什戰圖 軸

清張廷彥畫平定烏什戰圖 軸

painter. Wu-shen, in present day Hsin-chiang province between A-K’o-su and Ka-shen-kor, was an area.....more

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明陳璧書五言古詩 軸

明陳璧書五言古詩 軸

under Sung K'o, but Sung K'o used a centered brush tip while Ch'en Pi held his brush on a slant.....more

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明人扇頭畫 冊 明陸治水墨山水

明人扇頭畫 冊 明陸治水墨山水

吳鎮(一二八O-一三五四)的作品,目前僅見此幅,無意間為陸治學畫歷程留一實證。陸治用濕筆點染,墨色濃淡變化豐富,深得吳鎮墨韻神采。對陸治來說,掌握各家筆墨特性,是習畫必經之路,因此除了直接向文徵明(一.....more

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民國臺靜農草書故國神遊 橫披

民國臺靜農草書故國神遊 橫披

. Ching-che of Lung-p'o”. The tone of the brushwork is like that of a stormy sea, spirited.....more

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