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元倪瓚容膝齋圖　軸

old. The colophon states that the painting was first given to Ni's friend Pi-hsüan, who kept.....more

661/1372

元人春山圖　軸

styles of Dong-Ju (Dong Yuan and Juran) and the Two Mi’s (Mi Fu and Mi Youren). The ink tone.....more

662/1372

宋人岷山晴雪　軸

in the tradition of Kuo Hsi's 1072 "Early Spring". The only important changes here are the placement.....more

663/1372

元黃公望富春山居圖　卷

. The brushwork also evokes Tung Yuan's "hemp-fiber" texture strokes, which is especially.....more

664/1372

宋人枇杷猿戲圖　軸

conveys the form, thus showing the artist's skill at composition design. Two gibbons—one sitting quietly.....more

665/1372

五代人浣月圖　軸

a stream of water into the basin below, rippling the moon's reflection there. A splendidly attired lady.....more

666/1372

明仇英桐陰清話　軸

. Along with the Museum’s Whiling Away Summer in the Shade of Plantains, this may have been one of a set.....more

667/1372

明唐寅陶穀贈詞圖　軸

traveled to Peking in 1499. At that time, T'ang's style was not like that of Tu's. Thus.....more

668/1372

明居節畫江南春　軸

the mountains; in the many hills and ravines there are few signs of human habitation. Chu’s brushwork.....more

669/1372

宋劉松年醉僧圖　軸

bank is inscribed with the painter's signature and the date 1210. All the figures are painted.....more

670/1372

明孫枝梅花水仙　軸

of Wen Cheng-ming Sun Chih is often considered Wen Cheng-ming’s most prominent follower, and all.....more

671/1372

明呂紀荷渚睡鳧　軸

, the painting here probably reflects a faithful imitation of Lu’s style, which nonetheless provides.....more

672/1372

明陸治花谿漁隱　軸

. This work was done in 1568 at the age of 72 and combines the composition and brushwork of Lu’s teacher Wen.....more

673/1372

明陸治仙山玉洞圖　軸

, while the angular lines and texturing are completely in Lu’s own style. Therefore, Lu was at the stage.....more

674/1372

明沈周花下睡鵝　軸

handscroll, “Copying Su Shih’s Poem ‘Homeward Bound’”, which is even worse. The temperament of P.....more

675/1372

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