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符合的藏品

宋徽宗文會圖 軸

宋徽宗文會圖 軸

’ang dynasty(618-907). The modeling of gentlemen’s expressions.....more

466/1372
宋徽宗池塘秋晚圖 卷

宋徽宗池塘秋晚圖 卷

with the so-called coarse brushwork of Huizong’s style. Representing Huizong’s coarse brush manner, it is even.....more

467/1372
五代後蜀黃筌勘書圖 軸

五代後蜀黃筌勘書圖 軸

dynasty composed the poem “Fu’s Studies at Chengnan” to encourage his son, Han Fu, to study hard.....more

468/1372
元人春景貨郎圖 軸

元人春景貨郎圖 軸

grasses flourish on the banks of a small brook. Under the willow tree stands a large peddler's frame.....more

469/1372
宋蘇焯端陽戲嬰圖 軸

宋蘇焯端陽戲嬰圖 軸

other hand controls a toad at the end of a string which he wants to put on his friend's head.....more

470/1372
明劉度仿趙承旨長春翠柏 軸

明劉度仿趙承旨長春翠柏 軸

actually reflect Liu Tu’s uniquely dashing and spirited style. This masterpiece by the artist.....more

471/1372
明張宏倣陸治茶花水仙 軸

明張宏倣陸治茶花水仙 軸

Chih’s style in painting the flowers from life. A branch of camellias stretchs out horizontally.....more

472/1372
明文徵明影翠軒圖 軸

明文徵明影翠軒圖 軸

Wen Cheng-ming’s personal name was Pi and his tzu (style name) was Cheng-ming. Later he was known.....more

473/1372
明文伯仁五月江深圖 軸

明文伯仁五月江深圖 軸

Wen Po-jen’s style name was Te-ch’eng, and his sobriquets were Wu-feng, Pao-sheng.....more

474/1372
明沈士充天香書屋圖 軸

明沈士充天香書屋圖 軸

landscape painting under Song Maojin and also took Zhao Zuo as his teacher. Shen’s landscapes are known.....more

475/1372
明趙左秋山紅樹圖 軸

明趙左秋山紅樹圖 軸

painter, he is considered the founder of the Su-sung School. In Chao’s inscription in the upper left.....more

476/1372
明吳偉仙蹤侶鶴圖 軸

明吳偉仙蹤侶鶴圖 軸

among Painters.” Wu Wei’s figure painting was in the tradition of Wu Tao-tzu, while his landscape.....more

477/1372
明唐寅花溪漁隱圖 軸

明唐寅花溪漁隱圖 軸

, Kiangsu province, T’ang Yin’s style names were Tzu-wei and Po-hu; his sobriquet was Liu-ju. He.....more

478/1372
明仇氏杜陵內史畫白衣大士像 軸

明仇氏杜陵內史畫白衣大士像 軸

include washes of color for contrast, especially the white pigment of Kuan-yin's robes. The elegance.....more

479/1372
明王紱畫山亭文會圖 軸

明王紱畫山亭文會圖 軸

dry brushwork for a solemn and archaic effect. This painting well reflects the maturity of Wang Fu’s.....more

480/1372

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