搜尋:@T 在 繪畫 分類當中

符合的藏品

清唐岱孫祜等繪慶豐圖 軸

清唐岱孫祜等繪慶豐圖 軸

. This is a cooperative work of the Ch’ien-lung period court artists T’ang Tai, Sun Hu, and Ting Kuan-p’eng (fl.....more

826/910
清高宗御臨蘇軾帖 軸

清高宗御臨蘇軾帖 軸

of Chin and T’ang masters. Although this work transcribes Su Shih’s inkstone inscription in running.....more

827/910
明人畫扇面 (乙) 冊 明人月下吹笛

明人畫扇面 (乙) 冊 明人月下...

) Ming Dynasty Ch’iu Ying, style name Shih-fu, was a native of T’ai-ts’ang, Kiangsu Province, but later.....more

828/910
清陳字文房集錦 冊 戲嬰圖

清陳字文房集錦 冊 戲嬰圖

, nickname Lu-t’ou, style names Wu-ming and Ming-ju, and sobriquet Hsiao-lien) was the son of the famous.....more

829/910
清郎世寧畫瑞? 軸

清郎世寧畫瑞? 軸

奇石 鹿 竹 柏 溪澗、湍泉 靈芝 國立故宮博物院 石渠寶笈三編(延春閣),第五冊,頁2471 &*故宮書畫錄(卷八),第四冊,頁130 &*故宮書畫圖錄,第十四冊,頁83-84&*郎世寧(西元一六.....more

830/910
清徐揚繪鵝子圖御題 軸

清徐揚繪鵝子圖御題 軸

; Yang, whose sobriquet was Yün-t’ing, was a native of Wu-hsien, Kiangsu. He excelled at depicting.....more

831/910
元高克恭雲橫秀嶺 軸

元高克恭雲橫秀嶺 軸

llow in the Chao Ling-jang (fl. ca. 1070-1100) style and the use of blue-and-green goes back to the T.....more

832/910
元王蒙具區林屋 軸

元王蒙具區林屋 軸

around the Forest Chamber Grotto at Lake T'ai. This fascinating grotto is filled with twisting rock.....more

833/910
清吳昌碩梅花 軸

清吳昌碩梅花 軸

; sobriquets Fou-lu, K’u-t’ieh, P’o-he, Lao-fou, and Ta-lung) was a native of An-chi, Chekiang.....more

834/910
清吳穀祥具區湧金圖 單片

清吳穀祥具區湧金圖 單片

of a sunset at Lake T’ai. Though the colors are light and elegant, one can still sense the turbid, rippling.....more

835/910
元顧安倪瓚合作古木竹石 軸

元顧安倪瓚合作古木竹石 軸

by Ku An and Chang Shen at the request of the recluse Hsuan-t'ung. They painted the old tree.....more

836/910
唐李思訓江帆樓閣 軸

唐李思訓江帆樓閣 軸

the countryside home of an official. Since the clothing is that of the High T'ang and the architecture.....more

837/910
唐人春郊遊騎圖 軸

唐人春郊遊騎圖 軸

to an anonymous artist of the T'ang. Judging from the style, the painting appears to date to a later.....more

838/910
宋錢選桃枝松鼠 卷

宋錢選桃枝松鼠 卷

;t'an) came from Wu-hsing, Chekiang. He excelled not only in poetry, but also.....more

839/910
宋夏珪溪山清遠 卷

宋夏珪溪山清遠 卷

" texture strokes was even more simplified and natural than that of Li T'ang. The ink.....more

840/910

@T 在 繪畫 分類當中 的相關搜尋