符合的藏品

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宋人溪山暮雪　軸

-thirds of the painting surface. However, there is no longer a sense of monumentality, but rather one.....more

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-thirds of the painting surface. However, there is no longer a sense of monumentality, but rather one.....more

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the restraints of the upper surface border. The floral decor of the lower portion disappeared and the horizontal.....more

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of quick brushwork, texture strokes still outline and fill the surface with force. Light and dark washes.....more

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rare. In this oil painting on fine Korean paper, the surface is covered with a gray base, the mix.....more

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have penetrated the surface of the paper. &*故宮歷代法書全集，第十六冊，頁68-91、173-179&*楊維禎（西元一二九六－一三七0年），浙江紹興人，字廉.....more

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strokes and washes with ochre, cyanine blue, and vegetable green give the painting surface.....more

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are strolling on a winding bridge, leisurely boating on the pond, and picking lotuses from the surface.....more

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