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民國傅抱石雪意圖 軸

民國傅抱石雪意圖 軸

山形成強烈的對比,頓覺寒氣逼人。全作筆簡而意遠,老辣中又見瀟灑之趣。&*Fu Pao-shih, a native of Hsin-yu in Kiangsi, studied as a youth.....more

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明王紱溪亭高話圖 軸

明王紱溪亭高話圖 軸

. His style name was Meng-tuan and his sobriquets Yu-shih, Chiu-lung shan-jen, and Ch'ing-ch'eng shan.....more

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明莫是龍東岡草堂圖 軸

明莫是龍東岡草堂圖 軸

。 &* Mo Shih-lung, was a native of Hua-t’ing in Kiang-su, but later moved to Shanghai. An unusual.....more

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明王紱勘書圖 軸

明王紱勘書圖 軸

, and his sobriquets were Yu-shih sheng and Chiu-lung shan-jen. In the beginning of the Ming period.....more

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明王紱松亭高士圖 軸

明王紱松亭高士圖 軸

。 &*Wang Fu was a native of Wu-hsi in Kiangsu. His style name was Meng-tuan and his sobriquets Yu-shih.....more

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明董其昌倣張僧繇白雲紅樹 卷

明董其昌倣張僧繇白雲紅樹 卷

. Style name Hsüan-tsai, sobriquet Ssu-pai, he became a Metropolitan Graduate (chin-shih) in 1588.....more

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明董其昌書斯干之什 軸

明董其昌書斯干之什 軸

;an-tsai; sobriquet Ssu-po) was a native of Hua-t'ing (modern Shanghai). Having received his chin-shih.....more

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明王寵摹東方朔像贊 冊

明王寵摹東方朔像贊 冊

the styles of Wang Hsien-chih and Yu Shih-nan. Although this work is a copy after Wang Hsi-chih's small.....more

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唐聖教序墨拓本 冊

唐聖教序墨拓本 冊

inscribed by Xu Shiying, Chen Jing, Yu Chengwu, Zheng Xiaoxu, Chen Shuping, Peng Chunshi, Yu Youren.....more

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明王寵自書五憶歌 卷

明王寵自書五憶歌 卷

at poetry and prose. His calligraphy followed the style of Wang Hsien-chih (344-386) and Yu Shih-nan (558.....more

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明董其昌書杜甫謁玄元皇帝廟詩 軸

明董其昌書杜甫謁玄元皇帝廟詩 ...

brushstrokes, the strokes are in actuality round. His style has abandoned the sweet manner of Yu Shih-nan.....more

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宋人法書(一) 冊 宋趙抃致知郡公明大夫尺牘

宋人法書(一) 冊 宋趙抃致知...

in Chekiang. After receiving his chih-shih civil service degree in the Ching-yu era(1034-1037), he.....more

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明施餘澤拜石圖 軸

明施餘澤拜石圖 軸

笏禮拜之。&*Shih Yu-tse, whose style name was P'u-lin, was from Peking. His landscapes were elegant.....more

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宋人法書(三) 冊 宋陸游致仲躬侍郎尺牘

宋人法書(三) 冊 宋陸游致仲...

(1995年7月),頁54-55。 &*Lu Yu (style name Wu-kuan; sobriquet Fang-weng) was a native of Shan-yin, Chekiang.....more

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宋十二名家法書 冊 宋吳琚書識語並焦山題名

宋十二名家法書 冊 宋吳琚書識...

on that of Chung Yu(151-230)and Wang Hsichih (ca.307-ca.365)and, as all later critics have pointed out.....more

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