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明人書妙法蓮華經塔 軸

明人書妙法蓮華經塔 軸

ûpa, one accumulates merit. The stûpa is outlined in vermilion, and in accordance.....more

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明沈周夜坐圖 軸

明沈周夜坐圖 軸

awoke suddenly one night to find the moon shining through his window after a long period of rain. He.....more

662/838
明沈周古松圖 軸

明沈周古松圖 軸

of an old pine tree coiled with vines appears in this work. The main branch at one side diagonally.....more

663/838
明沈周墨菊 軸

明沈周墨菊 軸

. The brush is handled with great vigor and control, giving one the feeling that amidst the pure.....more

664/838
明項聖謨畫蘆雁 軸

明項聖謨畫蘆雁 軸

frost, it possesses a tone of skin-chilling melancholy. In this respect can one say.....more

665/838
清王鑑倣趙孟頫茂林蕭寺圖 軸

清王鑑倣趙孟頫茂林蕭寺圖 軸

-ch’ang and the Yüan dynasty landscapists. He is considered as one of the Four Wangs of the Ch.....more

666/838
清王鑑倣倪瓚山水 軸

清王鑑倣倪瓚山水 軸

, and because of his landscapes, was considered one of the Four Masters of the Ch’ing dynasty.....more

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清王翬畫山水 軸

清王翬畫山水 軸

, so it is natural that their styles are similar to one another’s. The use of brush and ink.....more

668/838
清王翬倣巨然夏山圖 軸

清王翬倣巨然夏山圖 軸

) and became one of the Four Great Masters of the Ch’ing Dynasty. Tall Peaks tower above deep valleys.....more

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清王翬畫溪山紅樹 軸

清王翬畫溪山紅樹 軸

schools. He is one of the most skilled painters of the Ch’img dynasty. Wang Hui painted this highly.....more

670/838
清王翬秋林圖 軸

清王翬秋林圖 軸

down among the stones like many veins from one artery, giving the composition an animated unity.....more

671/838
清惲壽平竹石枯槎圖 軸

清惲壽平竹石枯槎圖 軸

of P’i-ling. Considered one of the Six Masters of Early Ch’ing, he is ranked as a leading painter.....more

672/838
清王翬一梧軒圖 軸

清王翬一梧軒圖 軸

) is in an overseas collection. Wang Hui’s picture is dated in the April of 1673, when he was forty-one.....more

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清王原祁雲壑流泉圖 軸

清王原祁雲壑流泉圖 軸

to the painting. The resulting surface is used instead of the more traditional linear one, rather like modern.....more

674/838
清王原祁倣黃公望山水 軸

清王原祁倣黃公望山水 軸

in the lower corner and the main mountain peak complement one another. 本幅 122.4x58.1公分、全幅 83公分 清聖祖康熙三十四年.....more

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